Live albums are dangerous things. While the good ones capture the raw excitement of a show, all too often they expose a band's weaknesses, the ones that get covered in the studio – a singer who's not so good and instrumentalists who really can't cut it. But Colosseum, by the time they made their live album (the CD version comes with an extra track, "I Can't Live Without You," that wasn't on the original vinyl), were a seasoned outfit with some top-notch performers. In veteran Chris Farlowe they had a blues belter who could also turn his hand to jazz. Dave "Clem" Clempson was a rock guitarist first and foremost, but not limited to that, and bassist Mark Clarke was exactly the elastic foil drummer Jon Hiseman needed in the rhythm section.
Live albums are dangerous things. While the good ones capture the raw excitement of a show, all too often they expose a band's weaknesses, the ones that get covered in the studio – a singer who's not so good and instrumentalists who really can't cut it. But Colosseum, by the time they made their live album (the CD version comes with an extra track, "I Can't Live Without You," that wasn't on the original vinyl), were a seasoned outfit with some top-notch performers. In veteran Chris Farlowe they had a blues belter who could also turn his hand to jazz. Dave "Clem" Clempson was a rock guitarist first and foremost, but not limited to that, and bassist Mark Clarke was exactly the elastic foil drummer Jon Hiseman needed in the rhythm section.
Quintessence was the great underground band of the 1970s. Formed in March 1969, they were quickly signed to Island Records and later that year released their debut album, In Blissful Company. Between 1969-71, Quintessence, a counterculture phenomenon, made three albums for Island Records. Now, recently sourced from Island's multi-track tapes and digitised at Abbey Road Studios, this packed 2CD set reveals a wealth of stunning, hitherto unheard recordings in pristine studio sound.
Two CD collection from the 60s pop hitmakers. All the Singles collects the A and B sides of every original 1965-1970 Turtles 45, with the tracks presented in the same mono or stereo mixes that were heard on the original singles. All the Singles also features several tracks that were prepared for singles release but not issued at the time. Meticulously researched and prepared from the original master tapes by renowned engineer Bill Inglot. The resulting package offer a unique insight into one of rock's most misunderstood bands.
Death Metal meets Hard Rock on the new Debauchery vs. Blood God album! Welcome to the world of Blood Gods! Debauchery has always been unique. Those who couldn't or wouldn't accept and understand it, were kindly asked to **** off. There's one thing the band offers for everyone who's still there: Death Metal straight in your face! Blood God is the Heavy Metal/Hard Rock offshoot of Debauchery. Judas Priest, Accept, Iron Maiden, Motörhead, AC/DC - these bands were the reason why the Blood Gods started playing music. Blood God have a Debauchery feel to them, but everything's still a bit more different: a little bit more Heavy Metal and a lot more Rock 'n' Roll!
With three studio albums and a career spanning eleven years, Aisles have become one of South America’s most acclaimed prog acts of the last decade. Their fourth album, ‘Hawaii’ was released on July 29th, 2016 through Presagio Records. In November 2015 they went to a local beach house, spent a week together, writing music the whole time. It must have been an amazing experience for them, with the final result of this successful double CD. Obviously designed as a concept album "all the music was written with our hearts and minds, set on the idea of these human colonies - a small group of people who are able to preserve some of the heritage of mankind after earth is destroyed".
"Moonbathers" is the fifth studio album by the Dutch symphonic metal band Delain. "Moonbathers" is everything that a symphonic metal album can hope to be a beautiful balance. From the singing to the neck-breaking drums, the killer riffs and deep bass sections and fluid symphonic parts, the sublime singing and good lyrics, the album is a great package, armed to the teeth. The music feels honest and personal without a shred of pretense or a pointless struggle.