Four decades after its release, this is still the most controversial record in Yes' output. Tales from Topographic Oceans was the place where Yes either fulfilled all of the promise shown on their previous five albums or slid off the rails in a fit of artistic hubris, especially on the part of lead singer Jon Anderson and guitarist Steve Howe, who dominated the composition credits here. Actually, the group probably did a bit of both here across 80 minutes of music on a fully packed double-LP set; the group's musical ambitions were obvious on its face, as it consisted of four long songs (really suites) each taking up a side of an album, and each longer than the previous album's side-long "Close to the Edge."
Often thought of as a cross between Black Sabbath and Rush, the underappreciated outfit has influenced countless acts. This 3CD compilation contains their 3 classic albums that were recorded for MCA and are regarded as classics of the Genre; Never Turn Your Back On A Friend, In For The Kill and Bandolier…
Live albums are dangerous things. While the good ones capture the raw excitement of a show, all too often they expose a band's weaknesses, the ones that get covered in the studio – a singer who's not so good and instrumentalists who really can't cut it. But Colosseum, by the time they made their live album (the CD version comes with an extra track, "I Can't Live Without You," that wasn't on the original vinyl), were a seasoned outfit with some top-notch performers. In veteran Chris Farlowe they had a blues belter who could also turn his hand to jazz. Dave "Clem" Clempson was a rock guitarist first and foremost, but not limited to that, and bassist Mark Clarke was exactly the elastic foil drummer Jon Hiseman needed in the rhythm section.
Two CD collection from the 60s pop hitmakers. All the Singles collects the A and B sides of every original 1965-1970 Turtles 45, with the tracks presented in the same mono or stereo mixes that were heard on the original singles. All the Singles also features several tracks that were prepared for singles release but not issued at the time. Meticulously researched and prepared from the original master tapes by renowned engineer Bill Inglot. The resulting package offer a unique insight into one of rock's most misunderstood bands.
Death Metal meets Hard Rock on the new Debauchery vs. Blood God album! Welcome to the world of Blood Gods! Debauchery has always been unique. Those who couldn't or wouldn't accept and understand it, were kindly asked to **** off. There's one thing the band offers for everyone who's still there: Death Metal straight in your face! Blood God is the Heavy Metal/Hard Rock offshoot of Debauchery. Judas Priest, Accept, Iron Maiden, Motörhead, AC/DC - these bands were the reason why the Blood Gods started playing music. Blood God have a Debauchery feel to them, but everything's still a bit more different: a little bit more Heavy Metal and a lot more Rock 'n' Roll!
Quintessence was the great underground band of the 1970s. Formed in March 1969, they were quickly signed to Island Records and later that year released their debut album, In Blissful Company. Between 1969-71, Quintessence, a counterculture phenomenon, made three albums for Island Records. Now, recently sourced from Island's multi-track tapes and digitised at Abbey Road Studios, this packed 2CD set reveals a wealth of stunning, hitherto unheard recordings in pristine studio sound.
As Whiskeytown finally ground to a halt in the wake of an astonishing number of personal changes following Faithless Street (coupled with record company problems that kept their final album, Pneumonia, from reaching stores until two years after it was recorded), Ryan Adams ducked into a Nashville studio for two weeks of sessions with Gillian Welch and David Rawlings. While arch traditionalists Welch and Rawlings would hardly seem like a likely match for alt-country's bad boy, the collaboration brought out the best in Adams; Heartbreaker is loose, open, and heartfelt in a way Whiskeytown's admittedly fine albums never were, and makes as strong a case for Adams' gifts as anything his band ever released.