Avengers Flack

"Bustin' Loose" is a soundtrack album released by Roberta Flack in 1981. It was recorded for the movie of the same title starring Richard Pryor. Luther Vandross and Peabo Bryson contributed vocals to the album and Vandross wrote the song, "You Stopped Loving Me", which he later performed himself on his debut album "Never Too Much".

Quiet Fire proves to be an apt title, as Flack's MOR-informed jazz and gospel vocals simmer just below the surface on the eight sides here. Forgoing the full-throttled delivery of, say, Aretha Franklin, Flack translates the pathos of gospel expression into measured intensity and sighing, elongated phrases. There's even a bit of Carole King's ashen tone in Flack's voice, as manifested on songs like "Let Them Talk," Van McCoy's "Sweet Bitter Love," and a meditative reworking of King's "Will You Still Love Me Tomorrow."

"I'm The One" is an album by Roberta Flack released in May 1982 which reached #59 on the album chart in Billboard whose R&B album chart afforded the album a #16 peak. The Burt Bacharach/Carole Bayer Sager-produced "Making Love", which appeared in the film of the same name and in the spring of 1982 had afforded Flack her final solo Top 40 hit (#13 on the Billboard Hot 100), was included on the I'm the One album along with eight new tracks co-produced by William Eaton, Ralph MacDonald, William Salter and Flack herself. The track "I'm the One," given parallel single release with the album, peaked at #42 on the Hot 100 where it marked Flack's final solo appearance, although she'd return to the Hot 100 in 1983 with the duets "Tonight, I Celebrate My Love" (#16) and "You're Looking Like Love to Me" (#58) (both with Peabo Bryson) and again in 1991 with "Set the Night to Music" (with Maxi Priest/ #6). A third single from the I'm the One album: "In the Name of Love", reached #24 on the Billboard Adult Contemporary chart.

Capping off a string of early-'70s hits with this album's title track, Roberta Flack would soon take a sabbatical from the spotlight in 1975. And while she would return to the stage and studio, Flack never quite hit the heights of this and the handful of other MOR soul releases from the first half of the decade. Her Carole King-meets-Gladys Knight sound is particularly impressive on highlights like "Mr. Magic" and "Feelin' That Glow." Helping out with the stellar backing are such luminaries as vocalist Patti Austin, drummer Alphonze Mouzon, keyboardist Bob James, and guitarist Hugh McCracken. Maybe not as fine an album as 1971's "Quiet Fire", "Feel Like Makin' Love" will still please the singer's dedicated fans.

50 years ago this month, Roberta Flack released her sophomore album, an LP which – despite failing to match the crazy commercial success of her debut, FIRST TAKE, with mainstream audiences – still packed a solid emotional punch and served to cement her superstar status on the R&B and jazz charts.

"Born to Love" is a 1983 studio album of duets by American singers Peabo Bryson and Roberta Flack. It was released by Bryson's label Capitol Records on July 22, 1983 in the United States. The album yielded the hit single "Tonight, I Celebrate My Love", written by Gerry Goffin and Michael Masser. The track "Maybe" was written and recorded for the film Romantic Comedy (1983).

"Quiet Fire" is the third studio album by American singer-songwriter Roberta Flack, originally released in November 1971 by Atlantic Records. It was recorded at Atlantic Recording Studios, Regent Studios, and The Hit Factory in New York City. The album peaked at number 18 on the Billboard Top LPs & Tape, and its single "Will You Still Love Me Tomorrow" charted at number 76 on the Hot 100.

"Blue Lights in the Basement" is the sixth studio album by American singer Roberta Flack released by Atlantic on December 13, 1977. The album was a commercial success, peaking at number eight on the US Billboard 200, becoming her third consecutive top-ten album on the chart and reaching number five on the R&B albums chart. The album features the single "The Closer I Get to You", a duet with best friend and fellow soul musician Donny Hathaway, which became the biggest hit from the album, peaking at #2 on the Billboard Hot 100, and reaching #1 on the Hot Soul Singles chart. The collaboration with Hathaway would be one of his final singles released in his lifetime before his death in 1979.