On the album art of Avonmore, the record he released when he was a year shy of 70, Bryan Ferry showcases himself as a dashing young man – a portrait of an artist not as a glam trailblazer or distinguished elder statesman, but rather caught in an indeterminate time between the gorgeous heartbreak of Roxy Music's Avalon and the meticulous solo work that came immediately in its wake…
On the album art of Avonmore, the record he released when he was a year shy of 70, Bryan Ferry showcases himself as a dashing young man – a portrait of an artist not as a glam trailblazer or distinguished elder statesman, but rather caught in an indeterminate time between the gorgeous heartbreak of Roxy Music's Avalon and the meticulous solo work that came immediately in its wake. This is Ferry's prime, a moment when his legacy was intact but yet to be preserved in amber. Avonmore consciously evokes this distinct period, sometimes sighing into the exquisite ennui of Avalon but usually favoring the fine tailoring of Boys & Girls, a record where every sequenced rhythm, keyboard, and guitar line blended into an alluring urbane pulse.
Deadly in its primary role as a submarine hunter, the PBY Catalina was the scourge of the Imperial Japanese Navy's submarine force. Its amphibious traits also made the aircraft well suited to air-sea rescue, and thousands of Allied airmen were saved from a watery grave by PBY crews. Using personal interviews, war diaries and combat reports combined with original Japanese records and books, Louis B Dorny provides a view on the role of the Catalina from both side of the war. Illustrated with over 80 photographs and colour profiles detailing aircraft markings, this is the definitive history of an insight into the PBY's use by the US Navy and Allied forces in the Pacific during World War 2.