Axel Reitz

The organ works of Axel Ruoff, born in Stuttgart in 1957, constitute one of the most important contributions to the literature for the instrument by any composer since Messiaen. Stylistically, his music unites the French cathedral tradition of composers like Langlais, Dupré and Guillou with the concern with counterpoint and logic heard in Reger and later German figures. Like Messiaen, Ruoff often finds stimulus in religious sources; unlike him, it is biblical narrative that inspires many of Ruoff’s works, and he uses the unparalleled resources of the modern symphonic organ in his responses to some of the most dramatic scenes in both Testaments, writing music of freewheeling energy and uncompromising power.

The organ works of Axel Ruoff, born in Stuttgart in 1957, constitute one of the most important contributions to the literature for the instrument by any composer since Messiaen, with Ruoff often using its unparalleled resources to write music of extraordinary power and dramatic flair. This third volume in Jan Lehtola’s complete recording features the organ in the unusual role of duo partner in chamber music – but it is chamber music conceived on a symphonic scale. Here these five muscular duo works are separated by a series of weighty chorale preludes.

Bach and other Baroque composers often transcribed their music for new instrumental combinations as needed under the press of a busy schedule, and performers like South African-born recorder player Stefan Temmingh have taken this fact as carte blanche to create arrangements of Bach's music as desired. You can make various arguments pro or con in connection with this practice, and the procedure here, going from keyboard works to ensemble pieces, is in some ways the most problematical. So what you think of Temmingh's disc may depend on where you come down on the larger question.

No doubt about it: The world would be a much poorer place without Axel Rudi Pell. On his 22nd (!) studio album ‘Risen Symbol’, the Bochum-based guitarist and songwriter continues to fly the melodic hard rock flag without watering down his style with pseudo-modern stylistic variations or expendable studio gimmicks. At the same time, he is constantly looking for new influences, exciting inspirations and catchy hooks. One of the best things about ARP’s anthems is that they are perfectly tailored to the charismatic voice of frontman Johnny Gioeli. The American vocalist is one of the most eminent rock singers worldwide and, together with Pell, former Rainbow drummer Bobby Rondinelli, and the two longstanding ARP members Ferdy Doernberg (keyboards) and Volker Krawczak (bass), has been an integral part of a perfectly oiled machine for more than ten years, wowing fans and media alike.

The organ works of Axel Ruoff, born in Stuttgart in 1957, constitute one of the most important contributions to the literature for the instrument by any composer since Messiaen, with Ruoff often using its unparalleled resources to write music of extraordinary power and dramatic flair. This third volume in Jan Lehtola’s complete recording features the organ in the unusual role of duo partner in chamber music – but it is chamber music conceived on a symphonic scale. Here these five muscular duo works are separated by a series of weighty chorale preludes.