Badd Boy Jasinda

An intimate invitation from International Author of Get Her to Say Yes and Scoring a Relationship: “There is a part of you that may still be hidden, that if you dare stand before me, I will awaken. In just 7 days I’ll show you how to BE that noble Bad Boy that makes her ache to do anything for you, always.” A little secret about what happened to me as I sat down to create this product for you…

Andrew Gold - Lonely Boy: The Asylum Years Anthology (2020) {6CD Set, Esoteric Recordings QECLEC 72722}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 1.69 Gb | MP3 @320 -> 716 Mb
Full Artwork @ 600 dpi (jpg) -> 108 Mb | 5% repair rar
© 2020 Esoteric Recordings / Cherry Red / Warner | QECLEC 72722
Rock / Pop Rock / Soft Rock / Classic Rock

As a solo artist and a collaborator, Andrew Gold defined a strand of mainstream pop during the late 1970s. His work with Linda Ronstadt – he led her band and arranged her blockbuster albums of the mid-'70s – catapulted him to a position where he was given the chance to score his own hits, which he did with 1977's "Lonely Boy" and 1978's "Thank You for Being a Friend," not to mention "Never Let Her Slip Away," which was a U.K. smash in '78. Gold stepped away from this solo career after 1980's Whirlwind, re-emerging in the late 1990s when he was acknowledged as the cult figure he is.

From the outset, U2 went for the big message – every song on their debut album Boy sounds huge, with oceans of processed guitars cascading around Bono's impassioned wail. It was an inspired combination of large, stadium-rock beats and post-punk textures. Without the Edge's echoed, ringing guitar, U2 would have sounded like a traditional hard rock band, since the rhythm section and Bono treat each song as an anthem. Of course, that's the charm of Boy: all of its emotions are on the surface, delivered with optimistic, youthful self-belief, yet the unusual, distinctive guitar textures give it an unexpected tension that makes it an exhilarating debut…