In 1764 a couple of German musicians lodged together in London. They shared a sort of common background, for one was the youngest son of Johann Sebastian Bach, newly arrived in town to write opera, and the other, Carl Friedrich Abel, had been Bach’s student back in Leipzig more than a decade earlier. He was in town to make his living as a composer of instrumental works and as a performer on that now-anachronistic instrument the viola da gamba. The two apparently hit it off quite well, for they soon conspired to develop the famed Bach-Abel concert series that became a fixture in the city for more than a decade and a half. Given that they also contrived to perform as well, it is not surprising that both men created a wide variety of works for their instruments, Bach on the keyboard and Abel on his gamba.
The recently rediscovered, so-called Pembroke collection owned by the Abel-pupil Lady Elizabeth Herbert, Countess of Pembroke and Montgomery (1737-1831), contains 14 previously unknown viol works (ten sonatas and four duos for viola da gamba and cello) by Carl Friedrich Abel (1723-87), which he composed for himself and his talented pupil. Specifically, these expressive pieces are late works that show Abel’s special way of playing. For Coviello, viola da gambist Thomas Fritzsch presents the world premiere recording of these musical jewels.
Carl Friedrich Abel (b. December 22, 1723 in Cöthen) was one of the most renowned viola da gamba players of his day. It was probably for Carl's father, Christian Ferdinand Abel, that Johann Sebastian Bach composed his famous solo cello suites.
Following his education at the Thomasschule under J.S. Bach, he initially took a post under Johann Adolf Hasse in the Dresden court orchestra, and remained there for a decade before traveling to London 1759. There he met and eventually shared a room with Johann Christian Bach.
Carl Friedrich Abel (1723-1787) was born in Köthen, a small German city, where his father, played viola da gamba and cello in the court orchestra. In 1723 Abel senior became director of the orchestra, when the previous director, Johann Sebastian Bach, moved to Leipzig. That the young Abel later attended the Leipzig Thomasschule and was taught there by Bach is not finally confirmed. What is known, however, is that he joined Johann Adolph Hasse's court orchestra in Dresden on Bach's recommendation in 1748, where he remained for nine years. On Bach's recommendation in 1748 he was able to join Johann Adolph Hasse's court orchestra at Dresden, where he remained for fifteen years.
'The Zodiac Years' is a box set containing 3 Human Instinct albums - 'Snatmin Cuthin' (1972), 'The Hustler' (1974) and 'Peg Leg (The Lost Tapes - 1974/2002)'. All have been re-mastered from the original Zodiac tapes. As one of New Zealand's premier groups, The Human Instinct have contributed a large portfolio of illustrious recorded works to our country's musical landscape. The Human Instinct had it's origins in Tauranga in 1958 as the Four Fours, and after major local success became the first beat band to try the London scene. The band ended up performing on the same stage as some of rock music's greats including The Rolling Stones, Jimi Hendrix, The Small Faces, Spencer Davis Group, The Moody Blues and Manfred Mann. On the band's return to New Zealand it changed line-up to include Billy TK and Neil Edwards. The Human Instinct remained active through until the early 80s with its membership including some of the country's top musicians, exploring a range of musical styles.