Barry Grosskopf

"This One's For You" is the 4th studio album by singer-songwriter Barry Manilow released in 1976. The album went 3x Platinum, and yielded the hits "This One's for You", "Weekend in New England", the #1 "Looks Like We Made It" and the original version of "Daybreak." The album debuted on the Billboard Top 200 chart on August 21, 1976, reaching #6 in 1977.

You Only Live Twice is the soundtrack for the fifth James Bond film of the same name. It was composed by Bond veteran John Barry. At the time, this was his fourth credited Bond film. The theme song, "You Only Live Twice", was sung by Nancy Sinatra, the first non-British vocalist of the series, with music by Barry and lyrics by Leslie Bricusse. The soundtrack has previously been available in two versions on CD – the first, a straight reissue of the LP soundtrack, and the second, an expanded reissue including several previously unreleased tracks.

Octopussy is the soundtrack for the eponymous thirteenth James Bond film. The score was composed by John Barry, the lyrics by Tim Rice. The opening theme, "All Time High" is sung by Rita Coolidge and is one of six Bond film title songs or songs that are not named after film's title.

54 compositions from the legendary composer on 3CDs, packaged in a fold out card digipack. Includes The James Bond Theme, Zulu, Midnight Cowboy, Coney Island, The Lion In Winter, Out of Africa, Dances With Wolves, The Ipcress File, The Quiller Memorandum, and many many more!

Treat for John Barry fans! World premiere release of complete original soundtrack Barry scored with co-composer Dana Kaproff for Frank Zuniga adventure about family living in Aleutian islands, starring Steve Railsback, Michael Beck. Barry supplied several impressive cues, Kaproff worked with those themes plus created several ideas of his own. Results are coherent, beautiful, exciting music! Main theme is warm, other ideas range from pastorale to dramatic. Barry's "The Frolic" is outstanding sequence melding both warm theme for strings with dynamic, regal splendor for brass. Intrada newly masters entire CD from actual 1/2" 3-track stereo session masters vaulted at MGM in mint condition, includes all original LP contents plus several previously unreleased cues. Amongst new highlights is Barry's lengthy, dramatic "Broken Promise". CD also has original End Title song "Letting Go" by John Barry & Don Black, sung by Glen Campbell plus both LP version of Main Title (with water & bird effects), premiere of newly remixed version without effects. Complete breakdown of each composer's work plus informative notes by Jeff Bond complete generous package. John Barry supervises, Dana Kaproff conducts. Intrada Special Collection release limited to 2000 copies!

Music Composed and Conducted by John Barry. King Kong is one of Hollywood's most legendary creations, from the groundbreaking 1933 original to the highly anticipated Peter Jackson remake. In 1976 producer Dino De Laurentiis struck box-office gold with his own incarnation of the story, starring Jeff Bridges, Jessica Lange, and a colossal forty-foot model of Kong. The film was a massive production with ambitious special effects. Scoring the remake of one of the most famous films in Hollywood history was one of the few composers with the clout and talent to forge ahead with his own style: John Barry. The original's Max Steiner had practically invented the film score genre with the project, yet Barry was known for a completely different approach – eschewing "Mickey Mousing" in favor of melody, mood and large-scale symphonic structures.

This limited edition comes with an exclusive signed print. One of the UK's best-selling all-round talents, as a songwriter, producer and glam rock pop Star! As a songwriter, producer and glam rock pop Star, Barry Blue has sold more than 45 million Records, had approx. 50 worldwide hits and has registered more than half-a-billion streams! Barry has written for artists as diverse as Diana Ross, celine Dion and Andrea bocelli…To the Saturdays, pixie lott, Philip Bailey, five Star and bananarama. He produced the early classic Heat wave albums, including multi-million selling U.S. Hits such as 'boogie nights', 'the groove line and 'always and Forever' Which have become modern classics. 'Out of the blue - 50 years of discovery' Focuses not just on Barry blue's songwriting but on him as a recording artist, who has transcended the decades, keeping relevant in those times, with each CD being themed. 'Out of the blue…' celebrates 50 years since the release of his debut single 'together', which is included on this set, alongside all of his UK hits, 'dancing' (On a Saturday night)', 'do you wanna dance', 'school love', 'miss hit and run' And 'Hot shot'.

Boss Soul: The Genius of Barry White Review by Richie Unterberger
In 1966-67, long before he attained seventies superstardom as a growling bedroom funkster, Barry White gained valuable experience as an A&R man for the Del-Fi label in Los Angeles. This compilation has 16 tracks that he was involved with as producer, engineer, songwriter, and/or session musician, the results appearing on Del-Fi's Bronco and Mustang subsidiaries; note, however, that only five of the cuts are by White himself (including one instrumental and a pre-Del Fi 1965 single released under the pseudonym of Lee Barry). At this time, White was very much under the spell of Motown both as producer and songwriter (he wrote or co-wrote all but two of these tunes). The material, whether by White or other Mustang/Bronco artists Felice Taylor, Viola Wills, and Johnny Wyatt, consists for the most part of very derivative, but nonetheless enjoyable and professional, Motown variations. Felice Taylor's "It May Be Winter Outside," a #42 pop hit in 1966, is the most accurate mid-'60s Supremes imitation bar none, both for Taylor's uncanny Diana Ross-like vocals and the dead-on Motownesque arrangement.