Ben Wolfe Unjust

The great soul legend Ben E. King is joined by friends and admirers on these recut versions of King’s most beloved hits! King’s voice sounds as good as ever on this collection while funky bass icon Bootsy Collins breathes new life into “Supernatural Thing, Part 1” while up-and-coming R&B artist Bette Smith joins blues guitar phenom Ronnie Earl on a rousing version of “Stand By Me!” King’s influence can continue to be felt and heard in retro soul artists such as Black Pumas, Joss Stone and more!

In the 1950s, tenor-saxophonist Ben Webster was at the peak of his powers. His musical personality really featured two separate emotions: harsh and tough on the faster pieces and surprisingly warm and tender on the ballads. Webster uses the latter voice throughout this set. On all but four of 20 selections, Ben is backed by a string section arranged by Ralph Burns (except for "Chelsea Bridge" which was arranged by Billy Strayhorn) and, although clarinetists Tony Scott and Jimmy Hamilton and pianists Teddy Wilson and Hank Jones are heard from, the focus is otherwise entirely on the great tenor. The final four numbers, which matches Webster with Wilson in a stringless quartet, also stick to ballads. Music that is both beautiful and creative.

This edition combines several outstanding sessions by Carmen McRae - dating between December 1955 and August 1958 - under the musical direction of the brilliant arranger and conductor Ralph Burns. Armed with an orchestra boasting a 10-piece string section, Burns’ subtle and evocative charts provide a strong yet delicate support that gracefully enhances the vocalist’s talents without ever overpowering her. The addition of guest soloist tenor saxophonist Ben Webster - who for contractual reasons recorded here under the pseudonym "A Tenorman" - brought another dimension to the magical quality of these recordings. His breathy and expressive sound proves the perfect counterpoint to McRae’s versatile and passionate vocal style.

Recorded in 1958 and released the following year on Verve, The Soul of Ben Webster is a superb example of swinging mainstream jazz and bop. Webster is in fine form throughout, as are his fellow musicians including trumpeter Art Farmer, bassist Milt Hinton, pianist Jimmy Jones, and others.
Two complete sessions featuring Webster with pianist Teddy Wilson, as well as a 1954 reading of Billy Strayhorn's wonderful ballad Chelsea Bridge (also included on The Soul of Ben Webster) have been added as a bonus.

In lifelong seclusion in rural County Wicklow, Ina Boyle created a legacy of song – tender, often melancholy, illuminated by an exquisite sense for harmony. ‘I think it is most courageous of you to go on with such little recognition,’ wrote Vaughan Williams to his pupil. ‘The only thing to say is that it does come finally.’

Bassist Ben Williams' 2011 solo debut, State of Art, is a thoughtful contemporary and post-bop-leaning album that finds the winner of the 2009 Thelonious Monk International Jazz Competition delving into several original tunes and successful pop covers. Williams is an adroit improviser with a fluid, muscular approach to the upright - as well as the electric - bass, and he showcases all of his skills here along with his ear for unexpected covers and lively originals. Tracks like the roiling, Latin-infused number "November," featuring guitarist Matthew Stevens, and the high-energy, frenetic "Mr. Dynamite" are ear-popping straight-ahead jazz moments, while the hip-hop jazz cut "The Lee Morgan Story," featuring MC/vocalist John Robinson, brings to mind such '90s innovators as Gang Starr and A Tribe Called Quest…