Berberoglu Il Mistico Bugiardo (sp 2020)

Construction software maker SOFiSTiK has launched a new version of its structural engineering software. This release added many new features and a completely re-designed user interface.

Creation of formwork-, position- and shop drawings. Contains all functionalities and elements required for structural design drawings such as associative dimensioning, level marks, hatching, symbols, etc.

Creation of formwork-, position- and shop drawings. Contains all functionalities and elements required for structural design drawings such as associative dimensioning, level marks, hatching, symbols, etc.

After their acclaimed Cavalleria rusticana recording, Marek Janowski and the Dresdner Philharmonie now present Puccini’s Il Tabarro. Puccini composed this piece as the first panel of his Trittico (1918), a novel work combining three one-act operas, and also containing Suor Angelica and Gianni Schicchi. The explosive story about illicit love and revenge on the banks of the Seine recalls the Verismo of Mascagni’s Cavalleria rusticana. Beneath the Verismo surface, however, Il Tabarro is a highly modern piece, full of Impressionist harmonies, allusions to Stravinsky and dramatically significant self-borrowings.In this recording, Janowski and the orchestra particularly showcase the symphonic quality of Puccini’s music. They are supported by an outstanding cast of soloists, including Melody Moore as Giorgetta, Brian Jagde as Luigi and Lester Lynch as Michele, as well as the MDR Leipzig Radio Choir.

This is a new production from Teatro del Maggio Musicale Fiorentino. Il Tabarro is one of the three one-act operas that make up Giacomo Puccini’s Il Trittico. he element of Didier Gold’s Houppelande that most attracted Puccini was the opportunity to represent a river in music; it acts as a backdrop to the plot and determines its pace. The importance of this atmosphere is enormous, because it is linked to the mise en scène more tightly than is usual. The action takes place entirely on a barge on the Seine in Paris, which takes centre stage. The music describing the river uses a cyclic repetition of ostinato patterns, representing the monotonous flowing of the water, as inexorable as destiny and as regular as the flow of time. In the first part of Tabarro, the pulse of the river represents the life of the downtrodden in this world – longshoremen and boatmen. But even when it disappears, the musical identity between drama and location persists.

Quando il dottor Strong manda a chiamare non è il caso di perdersi in indugi. Un ambasciatore dell'antica nemica dell'Inghilterra, la Francia, è venuto a incontrare i capi dei ribelli e a sostenere la loro lotta. Mark dovrà scortarlo ma, come sempre, la strada è irta di pericoli e l'allegro tintinnio delle sterline compra più di una coscienza…

Una affascinante contessa, un carico d'armi nelle Antille, il fanatico capo di un'isola popolata da ex schiavi, detto il Leone Nero. Con tutto questo dovrà vedersela il nostro Comandante, tra lusinghe d'amore, scaramucce armate, le insidie del doppio gioco.

"1494, il rinascimento. da ogni angolo d’europa, gli sguardi sono rivolti all’italia, culla di una cultura antica. la penisola è ricca e le sue città stato sono talmente prospere da suscitare la cupidigia dei loro vicini. appena uscito dalla guerra dei cent’anni, il regno di francia è tra questi.

1775 - und damit ein Vierteljahrhundert vor seinen berühmten Oratorien "Die Schöpfung" und "Die Jahreszeiten" - hatte Joseph Haydn (1732-1809) sein erstes Oratorium "Il ritorno di Tobia" geschrieben. Bei der von ihm geleiteten Wiener Uraufführung wurde das Werk vom Publikum enthusiastisch gefeiert. Dieses, trotz seines anfänglichen Erfolges im 19. Jahrhundert in Vergessenheit geratene Meisterwerk gibt es jetzt in einer exzellenten Neuaufnahme mit einer Traumbesetzung für die Musik Haydns. Das Mozarteumorchester Salzburg unter ihrem ehemaligen Chefdirigent Ivor Bolton, dem Bachchor Salzburg und einem hochkarätig besetzten Solisten-Ensemble: Mauro Peter (Tenor), Lucy Crowe (Sopran), Anna Bonitatibus (Sopran), Bettina Ranch (Alt), und Neal Davies (Bass).