Billir Davis

A monumental innovator, icon, and maverick, trumpeter Miles Davis helped define the course of jazz as well as popular culture in the 20th century, bridging the gap between bebop, modal music, funk, and fusion. Throughout most of his 50-year career, Davis played the trumpet in a lyrical, introspective style, often employing a stemless Harmon mute to make his sound more personal and intimate. It was a style that, along with his brooding stage persona, earned him the nickname "Prince of Darkness." However, Davis proved to be a dazzlingly protean artist, moving into fiery modal jazz in the '60s and electrified funk and fusion in the '70s, drenching his trumpet in wah-wah pedal effects along the way.

This great value 61-track 2-CD set comprises the A and B side of every single she released on RCA from her 1953 debut as part of The Davis Sisters and then as a solo artist through to the end of 1962, plus seven bonus tracks selected from her two solo albums from the period “I’ll Sing You A Song And Harmonise Too” and “Here’s The Answer”, the latter trading on her success with “answer” records like her debut solo hit “Lost To A Geisha Girl”, and the Top 5 hits “(I Can't Help You) I'm Falling Too”, and “My Last Date With You”.

Miles Davis - The Complete Jack Johnson Sessions (1970) {5CD Box Set, Columbia C5K 86359 rel 2003)
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 2.29 Gb | MP3 @320 -> 881 Mb
Full Artwork @ 300 dpi (jpg) -> 42 Mb | 5% repair rar
© 1970, 2003 Columbia / Sony Music | C5K 86359
Jazz / Fusion / Jazz Funk / Jazz Rock / Trumpet

Of all the Miles Davis recordings, the 16 weeks of sessions that created a single, two-selection LP produced by Teo Macero called A Tribute to Jack Johnson have been the most apocryphal. While the album itself was a confounding obscurity upon release – due to its closeness in proximity to the nearly simultaneous release of the vastly inferior yet infinitely more label-promoted Live at the Fillmore East – its reputation as the first complete fusion of jazz and rock is cemented. It also garnered a place in the history books for guitarist John McLaughlin, the axis around whose raw, slash-and-burn playing the entire album turns.

Deluxe 71 disc box set that contains 52 single CD and double CD albums (which includes the previously unreleased full-length audio version of his 1970 Isle Of Wight performance). The essay is complemented by brief annotations written by Franck Bergerot, covering every single one of the 52 albums. The cornerstones of the box set are the studio and live albums that were released during his tenure at the label, more than 40 titles that he recorded in the 1950s, '60s, '70s and '80s.