In 1835 Felix Mendelssohn became music director of the Gewandhaus Orchestra in his native city of Leipzig. 135 years later, Kurt Masur became the orchestra’s Kapellmeister, remaining in the post for 26 years, so there is an indisputable seal of authenticity on these interpretations of the complete Mendelssohn Symphonies. Joining them in this collection, and making it unparalleled in its scope, are the complete early String Symphonies; they are performed on period instruments – and without a conductor – by Concerto Koln.
“Jose Carreras has one of the most beautiful tenor voices in modern opera history. The possibility to admire it again, immersed in a constant display of musicality, provides us with an extraordinary opportunity to revive it in all its glory.” EL PAÍS.
The years following World War II were formative ones for America, black America in particular and the music they played and listened to. Black Americans moved to where the jobs were and when they weren t working they needed to be entertained. So it was that a circuit of venues grew up offering live music aimed at the working man and woman. Chester Burnett, aka Howlin Wolf, was one notable figure attracted by this musical magnet. The songs on this set, dating from 1951 to 1958, sum up the first half of Wolf s recording career with Chess, a period when he sung mostly self-penned compositions.
Nikolaus Harnoncourt The Complete Sony Recordings brings together for the first time Harnoncourt s complete recordings from 2002-2015 with his Concentus Musicus Wien, the Wiener Philharmonike, the Chamber Orchestra of Europe and the Symphonieorchester des Bayrischen Rundfunks. The Sony Classical edition features his famous symphony recordings of Mozart, Haydn, Beethoven and Bruckner, alongside his celebrated performances of great choral works such as the Verdi, Brahms and Mozart Requiems and Haydn's Die Schöpfung, as well as Mozart's opera Zaide, Haydn's Orlando paladino and Gershwin's Porgy and Bess. Also included are previously authorized but unreleased recordings of J. S. Bach s Cantatas Nos. 26 & 36, Beethoven's Christus am Ölberge and Dvorák's Stabat Mater.
Roberto Alagna is the kind of ‘opera singer’ who can sing for all with such infectious pleasure that all we can do is sit back and enjoy. And so happy are we to listen to him that there’s only one thing we feel we should say to him: thank you. This collection features aria from Puccini, Verdi, Donizetti, Gounoud, Massenet, Bizet, Berlioz, Offenbach and Bernstein.