'Born In The U.S.A.' features some of the most radio-friendly performances in Springsteen's entire discography, which brilliantly disguise much of the emotional turmoil simmering underneath (case in point: the anthemic title track, a harrowing tale of a Vietnam veteran that Ronald Reagan attempted to co-opt for his presidential re-election campaign).
It is the 13th studio album from the influential cult British band. Inspired by the band’s recent concerts in previously unvisited countries – Ukraine, Romania, Lithuania and Japan – Born Into The Waves evolves from four pieces composed by guitarist Justin Jones on the theme of love songs from around the world. This album encompasses a new spirit of optimism and liberation in the lyrics of vocalist Simon Huw Jones.
Captured at the peak of T. Rextasy, ‘Born To Boogie’ is the Ringo Starr-directed 1972 film of the Godfather of Glam, Marc Bolan. Featuring live versions of T. Rex’s greatest hits, recorded at their famous Wembley concerts, the film also includes a legendary jam session with T.Rex joined by Ringo Starr and Elton John, and a mad hatter’s tea party with Catweazle and (Bolan/Bowie producer) Tony Visconti…
John Lindberg is known for two particularities: he’s one of the most exquisite double bassists around for some decades already and each one of his projects, be it a studio recording or a concert, is a meticulous and wonderfully sustained concept, always with a motto or a theme transcending musical subjects, generally concerning nature or the human condition. His brand new “Born in an Urban Ruin” belongs to this last category: the mentioned «urban ruin» is the Detroit Osteopathic Hospital, where he was born in 1959. You can’t get more symbolic than with this combination of two opposed factors, “birth” and “decadence.” If there’s in this collection of compositions a «post-industrial rust belt aesthetic», to use Lindberg’s own words, the perspective is positive and full of hope – the music is all about survival, «it’s endurance, it’s the spirit emerging forever triumphant». You can resurrect on a ruin, and when this idea is staged by someone like John Lindberg, with the help of clarinetist Wendell Harrison and of vibraphonist and percussionist Kevin Norton, that process can only be a beautiful one. A tribute in three parts to the late Roy Campbell is included, because the great jazz trumpeter is still among us and, after all, this CD is an ode to life.
Born for This Moment captures the true heart of Chicago at their full creative capacity. From the undeniable swing of the lead single, "If This Is Goodbye," to the unbreakable bonds of "For the Love," to the deeply personal storytelling of "Safe Harbours," the patriarchal aspirations of "Make a Man Outta Me," the romantic reveries of "If This Isn't Love," and the sultry flare of "Firecracker," it's quite clear the collective force of nature that is Chicago is indeed alive and well…and flourishing better than ever, right here in the first quarter of the 21st century. Over the entire course of 14 vibrant new songs, Born for This Moment (a.k.a. Chicago XXXVIII) encapsulates the scope and breadth of all the compositional and performance-propelled strengths at the ready in Chicago's seemingly endless arsenal of musical acumen.
The hard-hitting, melodic heavy metal band Alcatrazz will once again throw down a studio gauntlet on July 31st 2020 with Born Innocent, their first studio venture since 1986’s Dangerous Game. Alongside the unique vocal prowess and range of star frontman and founding member Graham Bonnet, Born Innocent also features fellow founding members Jimmy Waldo and Gary Shea. And from the classic album art, featuring the mighty rock itself, Born Innocent is a journey into the sort of heavy, melodic and supremely articulated hard rock that is a cornerstone of the likes of Rainbow and the Michael Schenker Group, territory Alcatrazz successfully strode in the ‘80s before going on hiatus.