Bronx 3

Billy Joel’s legendary 1990 concert at Yankee Stadium stands as one of the greatest concert films of all time. Shot in 16mm color film, the original concert has now been meticulously re-mixed and re-edited. The newly edited version includes a never-before-released performance of “Uptown Girl” along with interviews from Billy and behind-the-scenes footage from the event’s production. The set list consists of re-edited versions of songs from the original film including “Piano Man,” “We Didn’t Start The Fire,” “New York State Of Mind,” “Shout” and more - all live from the ionic stadium in The Bronx. The 2-CD contains 22 performances from Billy Joel’s historic two-day run at The House That Ruth Built! Recorded June 22 & 23, 1990 are newly mixed from the original multi-tracks. Features 11 completely unreleased performances, including “Uptown Girl,” “Only The Good Die Young,” “Allentown” and more.

Billy Joel’s legendary 1990 concert at Yankee Stadium stands as one of the greatest concert films of all time. Shot in 16mm color film, the original concert has now been meticulously re-mixed and re-edited. The newly edited version includes a never-before-released performance of “Uptown Girl” along with interviews from Billy and behind-the-scenes footage from the event’s production.

Documentary film following five friars at a Franciscan friary in Bradford on a mission to support the poor, both spiritually and materially.

After many hit singles with the Belmonts, Dion went solo and became one of the first rock & roll stars signed to the Columbia label. Although he was only with the label for four years, Dion recorded some of his most adventurous music during this period. Bronx Blues: The Columbia Recordings chronicles this phase in his career, and is the best single-disc compilation of his mid-'60s work. The first singles released were similar in style to the Belmont's recordings ("Donna the Prima Donna") and demonstrated his continued love for doo wop as he covers older songs such as the Drifters' "Ruby Baby," which peaked at number two. While the first half of this album is strong, the second half is truly revelatory; it shows Dion, who had just been exposed to the music of Robert Johnson, infusing the bravado of his streetwise persona into the blues.