Baby Audio Comeback Kid 1 2

Kid Ory was one of the great New Orleans pioneers, an early trombonist who virtually defined the "tailgate" style (using his horn to play rhythmic bass lines in the front line behind the trumpet and clarinet) and who was fortunate enough to last through the lean years so he could make a major comeback in the mid-'40s. Originally a banjoist, Ory soon switched to trombone and by 1911 was leading a popular band in New Orleans. Among his trumpeters during the next eight years were Mutt Carey, King Oliver and a young Louis Armstrong and his clarinetists included Johnny Dodds, Sidney Bechet, and Jimmie Noone…

Count Basie & His Atomic Band - Complete Live At The Crescendo 1958 (2016) {5CD Box Set, Phono Records 870245}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 1.97 Gb | MP3 @320 -> 859 Mb
Full Artwork @ 600 dpi (jpg) -> 97 Mb | 5% repair rar
© 1958, 2016 Phono Records | 870245
Jazz / Big Band / Bop / Swing

This superb 5-CD collection compiles all existing live recordings made by the Atomic band at the Crescendo Club, in Hollywood, in the summer of 1958, for the first time ever on a single edition. The sound quality is excellent throughout the set. Count Basie’s career was revived in late 1957 thanks to the success of the Neal Hefti-arranged LP Atomic Basie, which became one of his biggest hits. The orchestra was filled with stars, and Joe Williams’ vocals were heard to great effect supported by Hefti’s excellent scores and the superb quality of the band.

John Sebastian's relationship with Reprise records cooled after the commercial failure of his 1974 album Tarzana Kid, but he still owed one more record on his contract when his theme song for the television series Welcome Back, Kotter became a surprise hit in the spring of 1976…

Bluesman who styled himself King of the Jungle, enjoying success both on Chicago's West Side and throughout Europe.
Happily, Eddie C. Campbell returned to Chicago after spending a decade entrenched in Europe. His shimmering West Side-styled guitar playing and unusually introspective songwriting have been a breath of fresh air on the Windy City circuit, reuniting the veteran bluesman with fans he left behind in 1984.
Campbell left rural Mississippi for the bright lights of Chicago at age ten, sneaking a peek at Muddy Waters at the 1125 Club soon after he arrived and jamming with his idol when he was only 12…

Whether called Dixieland, traditional jazz or New Orleans jazz, it is the happiest music in the world, a music that exudes joy and found its perfect symbol and world ambassador in Louis Armstrong. Originating out of the south (particularly New Orleans), the style in its various forms was a major force in the 1920s. While overshadowed by swing in the 1930s, Dixieland made a comeback in the early 1940s with Lu Watters Yerba Buena Jazz Band being one of the first revival bands. Whether played by veterans such as Bunk Johnson and Kid Ory or newcomers of the time such as Pete Fountain and the Dukes of Dixieland, the music has been a permanent part of the jazz landscape ever since.

Al Green's second record for Blue Note reunites the same cast of characters who made his comeback disc, 2003's I Can't Stop, such a success. Willie Mitchell is behind the boards, the cream of old-school Hi musicians is here, and Green hasn't lost a step vocally. In fact, it sounds like he has gained a step somehow; his crazed screams, hollered interjections, and whoops of joy seem more assured and his falsetto is clear and strong. The songs are here, too, with a good mix of uptempo movers (the rollicking "Build Me Up," the high-energy title track, and "Nobody But You") and sweet, string-laden ballads ("Perfect to Me," "Real Love," and "All the Time"). Green sounds on fire most of the time, really letting loose on "Everything's OK," testifying on "Be My Baby," and ripping it up like a kid everywhere else…

CD box set release from Bob Dylan including his eight original albums from "Bob Dylan (1962)" to "John Wesley Harding (1968)." All albums feature the 2010 remastering from each mono master. *Japan edition exclusively features cardboard sleeve (mini LP) manufactured by Japan (size: 13.5 x 13.5cm). It faithfully repricates the original LP artwork with Obi. Limited copies of 5000.

An American-born guitarist, singer, and songwriter who lived in France since 1980, Luther Allison was the man to book at blues festivals in the mid-'90s. Allison's comeback into the mainstream was ushered in by a recording contract with an American record company, Chicago-based Alligator Records. After he signed with Alligator in 1994, Allison's popularity grew exponentially and he worked steadily until his death in 1997.