The Turtles’ second long player, You Baby (issued in April 1966), showed the band shifting from serious folk-rockers to a good time band with a sense of humour. Headlined by their third hit single, “You Baby” and a reprise of their second, “Let Me Be”, both songs were composed by the powerhouse West Coast songwriting team of P.F. Sloan and Steve Barri.
The Turtles enjoyed eighteen US hit singles between 1965 and 1970, three of which (“Happy Together”, “She’d Rather Be With Me” and “Elenore”) were also huge hits in the UK. From their original incarnation as surf band The Crossfires, all the way to their final single, the Turtles traversed several different musical paths during their career. It is precisely this power through diversity that makes the Turtles’ body of work one of the most rewarding and enjoyable of the 1960’s – they never met a genre they didn’t like. Edsel Records is proud to present the band’s six albums, each as a 2 CD digipak set.
Ready for the most remarkable flood of high-profile stereo debuts this year (or any year)? Hit Parade Records presents perhaps their finest CD collection yet, and it’s overflowing with sonic surprises you never expected to hear in stereo. From the most iconic drum beat in pop music (the fabulous “Be My Baby” intro) to the instantly recognizable opening chords of “Louie Louie” and “You Really Got Me” (both here in stereo for the first time), this album contains more important pop music history than any CD you’ll likely ever own.
This massive new reissue from Eugene Ormandy’s stereo discography collects all the Columbia Masterworks recordings he made in Philadelphia between the early 1960s and early 1980s. Sony Classical’s new 94-CD box set once again demonstrates what noted critic Jed Distler, reviewing the previous instalment of this ambitious project “The Columbia Stereo Collection 1958–1963” in Gramophone’s December 2023 issue, characterized as “the Philadelphia Orchestra’s brilliance and versatility as well as Ormandy’s unflappable consistency and habitually underestimated interpretative gifts”. Some of these performances – including the complete recording of Bach’s St. John Passion, Hindemith’s Symphonic Metamorphosis, Schubert’s Sixth Symphony and a disc of opera choruses with the Mormon Tabernacle Choir, as well as Ginastera’s Concerto for Strings and the ballet music from Massenet’s opera Le Cid – have never appeared before in the digital medium, and they shine a light into new corners of Ormandy’s astonishingly large repertoire.
This massive new reissue from Eugene Ormandy’s stereo discography collects all the Columbia Masterworks recordings he made in Philadelphia between the early 1960s and early 1980s. Sony Classical’s new 94-CD box set once again demonstrates what noted critic Jed Distler, reviewing the previous instalment of this ambitious project “The Columbia Stereo Collection 1958–1963” in Gramophone’s December 2023 issue, characterized as “the Philadelphia Orchestra’s brilliance and versatility as well as Ormandy’s unflappable consistency and habitually underestimated interpretative gifts”. Some of these performances – including the complete recording of Bach’s St. John Passion, Hindemith’s Symphonic Metamorphosis, Schubert’s Sixth Symphony and a disc of opera choruses with the Mormon Tabernacle Choir, as well as Ginastera’s Concerto for Strings and the ballet music from Massenet’s opera Le Cid – have never appeared before in the digital medium, and they shine a light into new corners of Ormandy’s astonishingly large repertoire.
Soweto-based new indie voice, Urban Village, shares their first album "Udondolo"(Walking Stick).
As you would expect from the album cover and title, this newly recorded album from Spanish progressive rock band Urban Trapeze is inspired by the iconic Tarkus album released by Emerson Lake and Palmer (ELP) in 1971. However, this album is not a rehash of ELP material. Instead, the band remarkably takes the Tarkus story further and skillfully incorporates various diverse progressive rock influences.
One minute The Action were the ultimate mod cult band, belting out exuberant Anglicised approximations of Tamla/soul material in clubs across the country, the next they’d shed singer Reggie King and mutated into questing countercultural adventurers Mighty Baby.
Under the leadership of guitarist Martin Stone, they would become increasingly insular as four of the five band members converted to Islam and they moved slowly towards a more improvised sound. By the end of 1971, fasting for Ramadan had left them almost too weak to perform onstage, at which juncture they came to the reluctant conclusion that rock’n’roll and the Muslim faith were incompatible…