Baby I've Got it

I Am The Billy Childish is a 2CD compilation album by the legendary Britiah rocker Billy Childish, released by Sub Pop in 1991. Childish has probably released over a thousand records under many different names with bands such as Thee Headcoats, Thee Mighty Caesars, Thee Milkshakes, The Chatham Super 8 Cinema and many more. This compilation features 50 different songs, with 25 on each disc. American grunge band Mudhoney were influenced by Childish and not only covered a few of his songs but have collaborated over the years.

Arguably the greatest Jamaican record producer of all time, Lee ‘Scratch’ Perry was instrumental in transforming the island’s national sound throughout the Sixties and Seventies, with his unique approach to music making pushing the music beyond previously perceived boundaries. To mark the first anniversary of his passing, the very best of his work is showcased across a number of products, all of which effectively demonstrate why Perry was widely venerated figure for so long…
The deluxe box set comprises four vinyl LPs and four CD's featuring his best known and most influential recordings including a previously unreleased mix of Junior Murvin’s powerful ‘Police And Thieves’, UK chart-buster ‘Hurt So Good’ by Susan Cadogan and the Upsetters’ boss reggae classic ‘Return Of Django’, as well as numerous major Jamaican hits.

Here is a wonderful collection of songs in the style of vocal jazz. Label Ap Music brought us a collection of the best tracks in this style. Let us listen to the charming vocal performed by Louis Armstrong, Nancy Wilson, Ella Fitzgerald, Nina Simone and many other jazz stars.

Tony Bennett's career has enjoyed three distinct phases, each of them very successful. In the early '50s, he scored a series of major hits that made him one of the most popular recording artists of the time. In the early '60s, he mounted a comeback as more of an adult-album seller. And from the mid-'80s on, he achieved renewed popularity with generations of listeners who hadn't been born when he first appeared. This, however, defines Bennett more in terms of marketing than music. He would probably say that he has remained largely constant to his goals of singing the best available songs the best way he knows how in each phase of his career. Popular taste may have caused his level of recognition to increase or decrease, but he continued to sing popular standards in a warm, husky tenor, varying his timing and phrasing with a jazz fan's sense of spontaneity to bring out the melodies and lyrics of the songs effectively. By the start of the 21st century, Bennett seemed like the last of a breed, but he remained as popular as ever.

Billy Thorpe is one of the enigmas of Australian music, a man of many careers. It began in Brisbane when the young Thorpe was overheard by a television producer playing his guitar and singing at the back of his parents' Brisbane store. At the age of ten he was appearing regularly on Queensland television and appearing on the same stage as many of the top artists of the day. When he was 17 he moved to Sydney as a solo country/pop singer just as the Beatles were breaking. Always one to recognize opportunity knocking, Thorpe teamed up with instrumental band the Aztecs and together they became one of the first Australian groups to contribute to the new '60s era of pop, in June 1964 scoring a huge national hit with their version of the Rolling Stones' version of "Poison Ivy."