Baby Boss2

Successful and single businesswoman Kate Holbrook has long put her career ahead of a personal life. Now 37, she's finally determined to have a kid on her own. But her plan is thrown a curve ball after she discovers she has only a million-to-one chance of getting pregnant. Undaunted, the driven Kate allows South Philly working girl Angie Ostrowiski to become her unlikely surrogate. Simple enough … After learning from the steely head of their surrogacy center that Angie is pregnant, Kate goes into precision nesting mode: reading childcare books, baby-proofing the apartment and researching top pre-schools. But the executive's well-organized strategy is turned upside down when her Baby Mama shows up at her doorstep with no place to live. An unstoppable force meets an immovable object as structured Kate tries to turn vibrant Angie into the perfect expectant mom. In a battle of wills, they will struggle their way through preparation for the baby's arrival. And in the middle of this tug-of-war, they'll discover two kinds of family: the one you're born to and the one you make.

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Use of the word baby isn't improved by repetition. Though it doesn't crop up often on this "concept" record including only songs with the word baby in the title, Mindy Carson's vocal histrionics succeed only in dating Baby, Baby, Baby as a relic of its time. Blessed with a strong voice that she wielded with much talent, Carson had unfortunately devolved, by the time this was recorded in 1958, into a belter who attempted to equal the lungs of Kay Starr without her impeccable jazz smarts. There are many excellent songs that fit the bill for entrée on this record "I Can't Give You Anything but Love, Baby," "My Baby Just Cares for Me," "My Melancholy Baby" and the charts by Glenn Osser and Sherman Edwards goose a well-worn standard quite well, but Carson fails to let any syllable cross her lips without worrying it to death.