Karl Richter's Bach performances, although they represented a departure from the over-romanticized treatments of Baroque music that had prevailed up to his time, were not the kind of trailblazing return-to-authenticity projects of Trevor Pinnock, Christopher Hogwood, and others, whose early-music-performance practices continue to be the standard today.
The marvellous Ton Koopman plays Bach's complete works for organ in wonderful performances full of power, passion, and grace! These digital recordings were made in 1994, 1995, 1996, 1998, and 1999.
Born within a couple of years of each other, Gottfried Silbermann and Johann Sebastian Bach were acquainted, and we know that Silbermann in 1736 invited the composer to inaugurate the new organ that he had built in Dresden’s Frauenkirche. That instrument was destroyed during the bombing of Dresden in 1945, but some thirty of Silbermann’s organs are still extant. From robust pedal stops providing a sturdy bass fundament to silvery flute stops, his instruments were famous for their distinctive&&& sound and contemporary sources often made use of a play on the name of their maker as they praised their ‘Silberklang’.
A good first introduction to the musical worlds of Carl Philipp Emanuel Bach is the recently released 10-CD box "C.P.E. Bach Edition ", on which the German 'harmonia mundi' has compiled high-quality recordings from the past 50 years.
Of all the liturgical reconstructions that Paul McCreesh has been offering over the past decade, this is easily the most elaborate. It's astonishing to think that Bach's parish church would have celebrated Epiphany (the 12th day of Christmas, January 6, usually a weekday) as elaborately as this program, and it's fascinating to think of the congregation of the Thomanerkirche anticipating the event around 1740. The entire service is included in the recording, much like the Catholic Masses on record that include the celebrant's prayers and Preface before the Sanctus (chanted in Latin even here), the Scripture chanting (in German here, of course), and all the odd versicles. The sermon is only six minutes long, just a hint of a longer discourse (it would have been at least an hour long, according to the notes).
In 1931 the pianist and muse Harriet Cohen invited all her principal composer friends each to make an arrangement of a work by J S Bach for inclusion in an album to be published by Oxford University Press. Published as A Bach Book for Harriet Cohen, it is recorded here for the first time by virtuoso pianist Jonathan Plowright. The disc is completed by eight other 20th century British Bach transcriptions.
,,Weihnacht mit Bach" - so hat Jacobi-Organist Gerhard Löffler sein MDG-Debüt betitelt. ,,Und mit Arp Schnitger" mag man hinzufügen, denn Schnitgers meisterhaftes Orgelwerk in der Hamburger St. Jacobi-Kirche ist nicht nur das größte Instrument des norddeutschen Orgelbauers, dessen Todestag sich dieses Jahr zum 300. Male jährt; mit dem wohl bedeutendsten original erhaltenen Pfeifenbestand des 16. und 17. Jahrhunderts prägt es ganz erheblich Musik und Interpretation. Im prachtvollen dreidimensionalen Klanggewand auf Super Audio CD eingefangen, ist Festtagsstimmung rund ums Jahr garantiert.