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Like so many Willie Nelson albums of the 2010s, Ride Me Back Home bears a title that appears to be a vague nod to Nelson's mortality. Unlike, say, God's Problem Child or Last Man Standing, the cloud doesn't appear to hang so heavy on Ride Me Back Home, but maybe that's because the album is amiably unkempt in a way its immediate predecessors were not. Some of that is due to how Nelson and his longtime producer Buddy Cannon don't rely heavily on original material this time around. The pair write four originals, while Nelson collaborates with Sonny Throckmorton on the elegiac title track.

The music on this four-CD box set is mostly excellent, and this is not a bad sampler of the recordings of the (Jazz) Crusaders, but there are some problems. The 1961-70 group is covered much too quickly in the first disc, and the last two discs jump around chronologically throughout the '70s. The lack of recording dates is rather inexcusable, and the odd programming makes it difficult to trace the popular band's evolution. On the other hand, the extensive liner notes by Quincy Troupe are refreshingly honest, and many of the high points of the group's existence (including "The Young Rabbits," "Freedom Sound," "Eleanor Rigby," "Put It Where You Want It," their classic rendition of "So Far Away," and "Street Life") are included. Worth picking up by beginners, although veteran collectors will prefer to get the more complete original sets instead.

"Go Back Home to the Blues" is the second Knickerbocker All-Stars record, building on the enthusiastically received "Open Mic at the Knick". Once again the deep pool of New England blues talent has provided knockout versions of blues and R&B classics, this time adding some new songs which are perfect fits stylistically. The Knickerbocker All-Stars are celebrated veterans and masters of their craft. Original Roomful of Blues members and other Roomful alumni, members of the Duke Robillard Band, Sugar Ray and the Bluetones, and vocalists Willie J. Laws and Brian Templeton all make a powerful blend, and among them they've garnered literally dozens of BMA and Grammy nominations. The songs are characteristic of the ones played in the heyday of the Knick, first done by early Roomful influences Bobby Bland, Freddie King, Guitar Slim, Cleanhead Vinson, and many others, and this crew reanimates them with authority.

Eric Clapton claimed in the press release for Back Home, his 14th album of original material, that "One of the earliest statements I made about myself was back in the late '80s, with Journeyman. This album completes that cycle in terms of talking about my whole journey as an itinerant musician and where I find myself now, starting a new family…

John Lee Hooker's greatness lies in his ability to perform the same songs the same way yet somehow sound different and memorable in the process. He operates at maximum efficiency in minimal surroundings with little production or assistance. That was the case on a 1969 session for Black and Blue; it was just Hooker and his guitar moaning, wailing, and narrating on 10 tracks which included familiar ditties "Boogie Chillen," "Love Affair," "Big Boss Lady," and "Cold Chills." Evidence has now not only reissued these 10 but has added another six bonus cuts, bringing the CD total to 16. If you have ever heard any Hooker, you will not be surprised or stunned by these renditions; you will simply enjoy hearing him rework them one more time, finding a new word, phrase, line, or riff to inject.

The idea isn't bad, the result is rather convincing, and the added incentive is enough to make The Road Back Home a worthy addition to a Flower Kings fan's collection, but do read on, because you should know what you're getting. This two-CD set is a compilation album – a theme compilation album, in fact…

Walking Back Home is an album by Scottish pop rock band Deacon Blue released in 1999. It was their first album since reforming that year after disbanding in 1994. A part studio/part compilation album, it contains nine of their earlier songs coupled with eight brand-new or previously unreleased songs.

On April 21, 1988, two significant events occured in the Cradle of the Blues, Clarksdale, Missisippi. One was ZZ Top's dedication of a guitar made from a board from Muddy Waters' home to the Delta Blues Museum. Of equal significance were the incredible performances turned in by the "original" Muddy Waters Blues Band at John Mohead's Cotton Exchange Club. No overblown concert to mark the event, rather two authentic juke-joint shows by a special group of players, the likes of which invented the genre.
This two-CD set was distilled from those historic performances. Be warned! You'll hear crowd noise, clinking glasses, missed notes and feedback. You'll hear tade-ins and fade-outs, mainly because the original recording devices were not always operating at the right time…