When it was originally released in 1964, this set of music was a bit of a hit, selling over 100,000 copies. In the early '60s when many Brazilian musicians brought bossa nova to the United States, classically trained guitarist Baden Powell took his guitar to France. Hence, the rest is history, as this Brazilian artist infused his hybrid jazz/classical/bossa nova articulations into the European scene. On various works, Powell melds a distinct sense of classicism with buoyancy and sophistication.
This compilation brings some of Baden Powell's biggest instrumental hits, like "Canto de Ossanha" (from the Afro-sambas phase, fruit of his research of genuine Afro folklore in Bahia), "Berimbau," "Tempo Feliz," the unusual melodic solutions in "O Astronauta," and "Samba triste." Sometimes backed by a rhythm section (non-credited in the poor inlay), sometimes alone at the violão, he also pays tribute to Pixinguinha (through his classics "Lamento" and "Carinhoso"), Tom Jobim ("Garota de Ipanema"), Vinícius de Moraes ("Eurídice"), and Sílvio Caldas (in the romantic seresta classic "Chão de Estrelas"). This constitutes a good introduction to the master's instrumental work and improvisations.
A legend of Brazilian guitar, emerging on the cusp of the bossa nova boom of the 1960s. Baden Powell is a Brazilian musician with a solid international reputation. A gifted instrumentalist and composer, he bridges the gap between classical artistry and popular warmth and was a key figure in the bossa nova movement.
Recorded between 1966 and 1971, these four LPs presented here on two CDs represent Baden Powell at his best. Roberto Baden Powell de Aquino was one of Brazil's greatest guitarists of the Bossa Nova Generation. On these recordings Powell plays some of his own best known compositions: Canto de Ossanha, Samba Triste, Samba em Preludio, E de Lei… He plays classics by other Brazilian writers: Manha de Carnival, Das Rosas, Dindi… He plays some jazz standards: Round Midnight, All the Things You are… He also shows the influence of classical music, Especially J S Bach - Invencao em 7 1/2 (double tracked with one part at double speed.) The performances display superb sense of timing and great improvisational skills. Mostly he is accompanied by a Brazilian rhythm section but on Poema he uses a jazz rhythm section. This is the essential Baden Powell.
The Jazz Club series is an attractive addition to the Verve catalogue. With it's modern design and popular choice of repertoire, the Jazz Club is not only opened for Jazz fans, but for everyone that loves good music.