Presto Ballet is a progressive rock band founded by Metal Church guitarist Kurdt Vanderhoof. Their sound is highly reminiscent of 1970s prog rock, as the band was founded chiefly as a tribute to classic progressive bands such as Yes, Kansas, Genesis and Deep Purple. Their debut album Peace among the Ruins, was released in 2005 to general praise and considerable press. Critics consistently commented on the album's warm and organic sound, a feeling created through the use of analogue recorders and vintage instruments.
If you love 70's styled prog with tons of vintage keyboards, crunchy riffs, and memorable melodies, you need to get your hands on this one.
Léo Delibess Coppélia is not only a collection of fine dances. It is primarily an abrasive and sardonic comedy, which is somewhat unusual in the world of classical ballet. But most importantly, it is a comedy for which excellent music was composed. Pyotr Ilyich Tchaikovskys assessment of Delibess ballet scores, allegedly capable of overshadowing the choreography itself, is well known: What beauty, what elegance, what richness of melody, rhythm and harmony! It is not fortuitous that music from this ballet should be performed, for its own merits, during concerts. Funnily enough, the main theme of this light-hearted ballet is taken from E.T.A. Hoffmanns anything but joyful novellas mainly from The Sandman.
In his ballets the great Soviet composer Sergei Prokofiev continues the long and famous tradition of Russian ballet music, which culminated in the immortal ballets of Tchaikovsky (Nutcracker, Swan Lake). Prokofiev’s genius for characterisation produced such classical “hits” as the Montagues & Capulets (often used in films, commercial and even sporting events!), and the Love Scene of Romeo and Juliet. Also the Cinderella-Waltz from the Cinderella Suite became an evergreen. The ballet Stone Flower is the last Soviet ballet Prokofiev wrote, and although it is little known, it contains music of great beauty and power on an equal level as the famous ballets.
Paris Opera Ballet’s production of La Bayadère was recorded in May 1994 at the Palais Garnier in High Definition. This exceptional and critically acclaimed production of La Bayadère is the fully restored version of this classic Kirov ballet, the last work choreographed for the Paris Opera Ballet by Rudolf Nureyev before his tragic death in 1993.