Band 390

For his first solo project after replacing Dickie Betts in the Allman Brothers Band, 23-year-old Derek Trucks pushes the stylistic envelope even further than on his last diverse release. Prodding into Latin, Indian, and fusion jazz, this stylistically varied effort exudes enough blues and funky R&B to keep the Allman Brothers Band fan's attention while expanding their boundaries – sometimes radically – beyond what the typical Southern rock fan might expect or even tolerate. It's a brave and largely successful experiment, due in part to the vocals of his guest stars, since Trucks himself does not sing. Opening with the title track, a funky Meters-style bubbler that employs a gospel chorus to frame Trucks' searing slide work, it sounds like the guitarist is working within borders he established on his two previous albums.

First off, Kenny Wayne Shepherd was 33 years old at the release of this album, so he’s not a kid playing hot guitar anymore, he’s a grown man doing it. And he does play a hot lead guitar – that, in a nutshell, is what he does. But over the years he’s also learned that the blues isn’t just about blazing lead licks, it’s also about letting the song say its say – and on Live! In Chicago he does that. This is a concert full of songs and not just a bunch of guitar leads broken up by someone singing for a bit. Shepherd is also fully aware of the history of the blues and he honors some of his heroes here by playing with blues legends like Hubert Sumlin, Willie “Big Eyes” Smith, Bryan Lee and Buddy Flett and he doesn’t step all over them with his guitar playing – he supports them. The concert grew out of the tour Shepherd put together in support of 10 Days Out: Blues from the Backroads project, a DVD/CD documentary that featured Shepherd traveling around the country on a ten day trip interviewing and playing with icons from the blues world, including the surviving members of Muddy Waters' and Howlin' Wolf's bands, making this show, recorded at the House of Blues in Chicago, a kind of culmination.

The Chocolate Watchband's debut album, No Way Out was also their most heavily Rolling Stones-influenced album, but appreciating the album and what's on it (and what's not) requires some explanation. Released in September of 1967, No Way Out came at the end of the band's first 15 months of existence, a period that encompassed the recording and release of four singles of generally extraordinary quality, and as good as anything heard from any garage band anywhere during that period…

A memorable six-night stand in the City of Brotherly Love ends on a high note with some old friends on Philadelphia '99. The 22-song set begins in jaw-dropping fashion with the long-awaited return of “Incident On 57th Street,” last played in December 1980, and features the first Reunion tour performances of “Point Blank,” “Sherry Darling” “Streets of Philadelphia,” “Jungleland” and “Raise Your Hand” to appear in the Archive Series. Philadelphia ’99 also includes one of only five stagings of the epic “New York City Serenade” circa 1999-2000 following a 24-year hiatus.

For the first time it is possible to present the orchestra music os Beethoven to the listening public of today in a form which he would recognise. For the Hanover Band is an orchestra of 29 specialist performers on late 18th-century instruments, a classical orchestra modelled in size and type on the Burgtheater orchestra in theVienna of 1800 which Beethoven engaged for the premiere of these two works.

The 1981 European leg of the River tour is a seminal chapter in Springsteen's performing career, with the six-night stand at Wembley Arena its culmination. London 6/4/81 presents the brilliant fifth show of the run with key changes from the previously released final night including "The Ties That Bind," "Jackson Cage," "Racing in the Street" and "Backstreets," plus vital recent additions "Trapped" (played for only the fourth time), "Follow That Dream" and "Johnny Bye Bye." The 27-song set wraps with an epic, 15-minute "Detroit Medley" that takes a welcome Memphis detour.

27-song set. Tour debut of “It’s Hard to Be a Saint in the City”; “Land of Hope and Dreams” returns to the set. Four songs from 2020’s Letter To You: “Ghosts,” “Letter To You,” “Last Man Standing” and “I’ll See You In My Dreams”. “Last Man Standing” features a new arrangement. “I’ll See You In My Dreams” is performed solo acoustic to end the show. One song from 2022’s Only the Strong Survive: “Nightshift” (written by Franne Golde, Dennis Lambert and Walter Orange, popularized by The Commodores). Concert stalwarts like “Because The Night,” “Dancing in the Dark,” and “Tenth Avenue Freeze-Out” are performed in tighter, shorter versions.

After the great success of Steve Hackett's "At The Edge Of Light" studio album (#13 in Germany, #3 UK Rock charts, #28 UK album charts, #7 UK vinyl charts), "Genesis Revisited Band & Orchestra: Live" now encourages you to discover a stunning new dimension of Hackett's own and classic Genesis material! "Genesis Revisited Band & Orchestra: Live" was recorded in October 2018 at London's Royal Festival Hall featuring classic Genesis & Steve Hackett solo material performed alongside a 42-piece orchestra!…