Two of Barry Goldberg's best albums from the late '60s, Reunion and Two Jews Blues, are combined on this single disc. There's some very hot playing on these two albums, particularly from Mike Bloomfield on Two Jews Blues, but they sound a little dated and don't quite burn as hot as some blues-rock albums from the late '60s. Nevertheless, this does capture Goldberg's two best records, which makes it both a good summary of his peak and a good introduction to his sound.
Freddie Roulette is a Chicago Bluesman who started playing lap-steel guitar back in the 1940's. He's played with some of the greats including Earl Hooker, Charlie Musselwhite, and Harvey Mandel. His music is known worldwide and he has played throughout Europe, Canada and Japan. He has also been playing with bands in the San Francisco Bay Area including Nightfire featuring Harvey Mandel, Michael Warren, Michael Borbridge, and Eugene Huggins; Harvey Mandel & The Snake Crew featuring Elvin Bishop, Norton Buffalo, Pete Sears, Barry Goldberg, Mic Gillette, and album drummer and producer Michael Borbridge…
Six years went by between the release of Crazy Horse's third album, At Crooked Lake, and its fourth, Crazy Moon, and a lot of water went under the bridge in the meantime. Crazy Horse was, in effect, three different bands on its first three albums because the only constants were bassist Billy Talbot and drummer Ralph Molina as lead singers, songwriters, guitarists, and keyboardists came and went. The band name seemed to be retired by 1973, but in 1974 Talbot and Molina hooked up with singer/guitarist Frank Sampedro as Crazy Horse, leading to sessions with their erstwhile employer Neil Young that resulted in the Young/Crazy Horse album Zuma. At the same time, they recorded some Crazy Horse tracks that sat around for years, finally being finished off in the summer of 1978 for release here. The result is the first album since their debut, 1971's Crazy Horse, that sounds identifiable as the band that backs Young.
This is the lone solo album by sideman Roger "Jellyroll" Troy, a consummate session player who was best known for his collaborations with blues bandleader Michael Bloomfield, including as part of a reunited mid-'70s version of Electric Flag. Troy's bona fides go back even further than that: while still a teen, he was the bassist in the novelty rock band, the Hollywood Argyles, and went on to gigs with James Brown and Freddie King. In 1969 he cut an album as the leader of the band Jellyroll (which was his nickname) and he had considerable success as a songwriter in the early '70s. This album is pretty much pure white soul, with a heavy Muscle Shoals feel: four songs were written by Troy, though tellingly he also covers Dan Penn, whose emotive vocals style is echoed in Troy's own phrasing. Among the many musicians backing him are jazz saxophonist Ernie Watts and pianist/producer Mike Lipskin… Fans of the Atlanta Rhythm Section, Joe Cocker and any number of eclectic Memphis roots/soul bands might want to check this one out.
Legendary hard rock guitarist Leslie West – best known for his work with Mountain and the Vagrants – shows that he's not about to start slowing down despite a career that's spanned six decades with this set of passionate, blues-influenced rock & roll. Still Climbing features West offering up his trademark meaty guitar riffs and gale-force vocals while accompanied by a handful of guest stars, including blues guitar legend Johnny Winter, Creed guitarist Mark Tremonti, Twisted Sister frontman Dee Snider, and modern-day bluesman Jonny Lang. Along with a handful of fresh original songs, Still Climbing also includes new interpretations of "When a Man Loves a Woman," "Over the Rainbow," and "Feeling Good."