Bart Van Loo De Bourgondiërs

L'histoire des ducs de Bourgogne est une véritable aventure militaire, politique et artistique, qui relève autant du conte de fées que d'un Game of Thrones. La raconter est un joli défi dont Bart Van Loo s'est emparé et qui nous entraîne sur les routes médiévales, de la Scandinavie des Burgondes à Dijon, en passant par Bruxelles, Gand, Bruges et Lille. …

This 6CD set charts not only the development of the Nocturne as a musical form, but also the development of the piano from the closing years of the 18th and first half of the 19th centuries. Two great ‘piano schools’ had emerged, each having some of the greatest performers and composers of the day associated with them. Some of these composers were highly successful businessmen as well – Clementi and Pleyel in particular established highly successful piano manufacturing and music publishing firms. The English school, with its powerful instruments (of which the pianos of John Broadwood and Co are the best examples) enabled London based composers such as Cramer, Clementi and Dussek to write music with a singing almost bel canto quality.

A wonderful idea brilliantly executed, Bart van Oort's four-disc set entitled The Art of the Nocturne is not only an in-depth examination of one of the most romantic of romantic musical forms, but also a really sexy set of seduction discs that cannot fail to warm even the coldest heart. The first disc in Oort's survey includes all the elegantly expressive Nocturnes of Irish-Russian composer John Field, the second and third discs include all the supremely sensual Nocturnes of Polish-French composer Frédéric Chopin, and the fourth disc includes individual Nocturnes by various contemporaries of Chopin, of whom the best known are Clara Schumann and Charles-Valentin Alkan and the least known is Ignacy Feliks Dobrzynski.

The Nocturne is a romantic piano piece in which a nocturnal, romantic atmosphere is expressed, where perfumed melodies float serenely over a calmly murmuring accompaniment.-Credit where credit is due: the inventor of the genre is the Irish composer John Field, who made fame as a pianist of his own works. It needed the genius of Chopin to perfect the genre to the highest artistic level: Chopin's Nocturnes are the archetypes of romantic piano music, and count among his best loved works.

Radical, daring and extremely refined: that’s how Carl Philipp Emanuel Bach saw his new path for the Oratorio, after his father’s Passions had marked the climax of the baroque era. Encouraged by his godfather Telemann and liberated from the yoke of the capricious Frederick of Prussia, he found himself in Hamburg with an audience hungry for new music. And he brought them his oratorios, no longer in churches but in concert halls, where he demanded the listener’s undivided attention for sudden changes of mood and colour.

Bohemia at the end of the 18th century and the early 19th was teeming with highly skilled composers and musicians, centred around the city of Prague. Charles Burney described it as ‘the conservatory of Europe’. He also found that rural areas were rich in musical activities, especially in schools. The majority of the composers wrote for their particular instrument, and the names of Dussek and Kozeluch in particular have survived to this day. They along with Vorisek are the best known composers on this fascinating programme of songs from this golden age of Czech music.