Bartok: The Wooden Prince

The Wooden Prince and The Miraculous Mandarin are – together with the earlier opera Bluebeard’s Castle – the only stage works by Béla Bartók. They stand apart from the more abstract and often more explicitly folk-related character of the music that we primarily associate with the composer. They are nevertheless major achievements that in different ways highlight Bartók’s imaginative use of the modern orchestra. Set in an enchanted forest, The Wooden Prince is based on a fairytale-like libretto featuring a prince and princess.

Following their first album for Linn (Dvorák: Legends Op. 59, Czech Suite Op. 39), the WDR Sinfonieorchester and Cristian Macelaru pursue the same folk vein with two orchestral works by Béla Bartók. Based on a rather childish tale (prince, princess, fairies, and of course a happy ending!), the music of the ballet The Wooden Prince - recorded in full here - has all the ingredients of a masterpiece: masterful scoring for large forces, use of musical themes, an effortless amalgam of folk and late-Romantic elements. Composed in 1923 to celebrate the 50th anniversary of the merging of the towns of Buda and Pest - alongside commissions by Ernö Dohnányi and Zoltán Kodály - the century-old Dance Suite is a six-movement work that has become one of Bartók's best known compositions. Born in Timi?oara, a short distance from Hungaria, Macelaru can boast an unparalleled understanding of Bartók, as evident here.

This new collection of 55 CDs from the acclaimed audiophile label offers a wealth of recordings from the 1950s and 1960s in an unrivaled range of repertory. This ranges from solo Bach played by harpsichordist Rafael Puyana to American composer and conductor Howard Hanson in his own works as well as music by fellow-Americans. Key artists include Antal Dorati in works ranging from Beethoven to Bartok and Berg; Frederick Fennell, Rafael Kubelík, Paul Paray and Janos Starker.