Bass Station Shufflers Anthems Vol. 1 (2016)

Celtic Thunder’s ‘Legacy Volume One’ presents many of the best-loved numbers from the group’s nine standing-room-only world tours to-date. Song selections include “Heartland,” the group’s big opening number, along with crowd-pleasing favorites like “Raggle Taggle Gypsy,” “Galway Girl,” and “A Place in the Choir” alongside rousing anthems “Caledonia” and “Ireland’s Call.”

The ex-Blumfeld-singer released the album Songs From The Bottom Vol. 1. The album that was produced with Swen Meyer contains cover versions of artists like Britney Spears, Lana Del Rey, Radiohead, The Verve and many more. Jochen Distelmeyer will promote the album on an extensive tour. Jochen Distelmeyer is a German singer and songwriter. He was born 1967 in Bielefeld, Germany. From 1990 to 2007, Jochen Distelmeyer fronted one of Germany's premiere indie rock bands. Named after a Kafka short story, Blumfeld made music that was experimental, political, and – in contrast to many bands from the same era – performed almost entirely in German.

2016 four CD set. This box contains the first four releases from Bill Wyman's Rhythm Kings, the good-time 10-piece band that Bill Wyman put together after leaving the Rolling Stones in 1992…

If the number of compositions written for a specific instrument is any indication of a predilection, then Ferdinand Ries did indeed have a soft place in his heart for the flute. He penned no fewer than six quartets for flute and string trio, a quintet for flute, violin, two violas, and violoncello, a trio for piano, flute and violoncello, and many works for flute and piano - more works than for any other wind instrument. His first Flute Quartet presents itself as a grand, imposing quartet in the affirmative key of C major and contains many surprising elements. Here too, as already in his symphonies and string quartets, Ries proves to be an entirely independent and original composer - despite his close association with Beethoven.

This album, the first in a series devoted to the 41 symphonies of Michael Haydn, leads off with perhaps the most historically famous one of all: the Sinfonia in G major, Perger 16, is none other than the missing Symphony No. 37 of Mozart, which was not removed from the Mozart canon until 1907. The reason for the error was that a copy of the work exists in Mozart's handwriting; he wrote a slow introduction to the first movement (not performed here), and apparently copied out the piece in preparation. It remains difficult to believe that listeners' suspicions weren't raised before that; the work's simple, squarish movements resemble those of the symphonies Mozart wrote in his mid-teens.

This publication aims to be the first of two volumes, the second of which will contain the other two sonatas. Believe me, this project has not been driven by the wish to add yet another complete recording of complete works to the catalogue. What it has been driven by is a real desire to redress the balance and to ensure Weber's compositions receive the attention they so richly deserve.