1980 and 1981 release by Thelma Houston on one CD. Breakwater Cat - Suspicious Mind, Down The Backstairs Of My Life, Understand Your Man, Lost And Found, Something We May Never Know, Breakwater Cat, Long Lasting Love, Before There Could Be Me, Gone, What Was That Song. Never Gonna Be Another One - Never Give You Up, Too Many Teardrops, Tears, There's No Runnin Away From Love, Never Gonna Be An Another One, If You Feel It, Don't Make Me Over, Hollywood.
A sequel to the 2015 box Five Years 1969-1973, 2016's Who Can I Be Now? (1974-1976) covers just three years but this stretch in the mid-'70s happens to be the peak of David Bowie's superstardom. That much can be gleaned from the number of albums within the set: three studio albums – Diamond Dogs, Young Americans, Station to Station, each released in a subsequent year – along with the double live album David Live from 1974…
A sequel to the 2015 box Five Years 1969-1973, 2016's Who Can I Be Now? (1974-1976) covers just three years but this stretch in the mid-'70s happens to be the peak of David Bowie's superstardom. That much can be gleaned from the number of albums within the set: three studio albums - Diamond Dogs, Young Americans, Station to Station, each released in a subsequent year - along with the double live album David Live from 1974. Four albums in three years is plenty but to that core canon Who Can I Be Now? adds five additional alternate albums, each with varying degrees of rarities. There are full latter-day remixes of David Live and Station to Station - the former from 2005, the latter from 2010 - the concert album Live Nassau Coliseum '76, which was added to the super deluxe 2010 reissue of Station to Station, a bonus disc of single edits and stray songs entitled Re:Call, plus an early version of Young Americans called The Gouster.
An epic 100 CD chronological documentation of the history of jazz music from 1898 to 1959, housed in four boxed sets. Each box contains 25 slipcase CDs, a booklet (up to 186 pages) and an index. The booklets contain extensive notes (Eng/Fr) with recording dates and line-ups. 31 hours of music in each box, totalling 1677 tracks Each track has been restored and mastered from original sources.
With music instantly accessed at the touch of a button, it seems that the urge to pigeonhole bands as quickly and neatly as possible has been driven to ever more extremes in recent years. Good Tiger, however, forge their own path. Blending their influences in a manner that defies lazy classification sets them apart from their contemporaries, imbuing everything they do with a distinctive sound and feel, and with We Will All Be Gone, Good Tiger have dramatically built upon their stunning debut, 2015's A Head Full Of Moonlight. "I think that what a musician wants to do musically is always pretty fluid and can change from day to day," states guitarist Derya "Dez" Nagle.
The first French jazzman to embrace bebop with true enthusiasm was without a doubt alto saxophonist Hubert Fol (1925-1995). He took to the new style when he was barely 20 years old, the moment he heard Charlie Parker on record, and he immediately began practicing. His prowess grew rapidly, and soon he had an opportunity to prove himself.
The present release is a mind-blowing rendition of a contemporary classic by amazing Ukrainian pianist, past winner of Van Cliburn competition. “Recordings usually start to live their own lives after their release. However, this one happened to be very special since it acquired its very meaning long before getting to the publishing phase. Recorded in September 2021, this project survived February 24, 2022 - the date marking for me the end of a fragile balance between humanity and medieval darkness. This recording is dedicated to the people of a free and independent Ukraine, whose unshakable spirit will never be defeated.”