Beat Magazin From Marz 2017 Pdf

UK collection. This follow-up to our recent Love Hit Me! Decca Beat Girls and Scratch My Back! Pye Beat Girls releases comprises superior 60s she-pop from the EMI group of record labels - Parlophone, Columbia and HMV - headquartered in Marylebone in the heart of London's West End. Most of the female acts signed by EMI were teenagers completely tuned in to the current pop trends. Scottish duo the McKinleys, R&B club habituée Julie Driscoll, talent show winner Billie Davis and Midlands pub singer Beverley Jones took original material from London's Tin Pan Alley and American covers and gave them an abrasive, vigorous kick that made for fabulous 45s. They may not have had quite the Polish of their US counterparts, but the rough 'n' ready sound of the Marylebone Beat Girl was precisely her appeal. Among the many highlights are 'Dancing Yet', a Dobie Gray-style discotheque number by Liza & the Jet Set; 'Like The Big Man Said' by Toni Daly, a cover of Italian star Caterina Caselli's 'L'uomo D'oro' with edgy English lyrics by Peter Callander; and Billie Davis' groovy gender-switched update of Chuck Willis' R&B nugget 'Whatcha' Gonna Do'.

UK collection. This follow-up to our recent Love Hit Me! Decca Beat Girls and Scratch My Back! Pye Beat Girls releases comprises superior 60s she-pop from the EMI group of record labels - Parlophone, Columbia and HMV - headquartered in Marylebone in the heart of London's West End. Most of the female acts signed by EMI were teenagers completely tuned in to the current pop trends. Scottish duo the McKinleys, R&B club habituée Julie Driscoll, talent show winner Billie Davis and Midlands pub singer Beverley Jones took original material from London's Tin Pan Alley and American covers and gave them an abrasive, vigorous kick that made for fabulous 45s. They may not have had quite the Polish of their US counterparts, but the rough 'n' ready sound of the Marylebone Beat Girl was precisely her appeal. Among the many highlights are 'Dancing Yet', a Dobie Gray-style discotheque number by Liza & the Jet Set; 'Like The Big Man Said' by Toni Daly, a cover of Italian star Caterina Caselli's 'L'uomo D'oro' with edgy English lyrics by Peter Callander; and Billie Davis' groovy gender-switched update of Chuck Willis' R&B nugget 'Whatcha' Gonna Do'.

UK collection. This follow-up to our recent Love Hit Me! Decca Beat Girls and Scratch My Back! Pye Beat Girls releases comprises superior 60s she-pop from the EMI group of record labels - Parlophone, Columbia and HMV - headquartered in Marylebone in the heart of London's West End. Most of the female acts signed by EMI were teenagers completely tuned in to the current pop trends. Scottish duo the McKinleys, R&B club habituée Julie Driscoll, talent show winner Billie Davis and Midlands pub singer Beverley Jones took original material from London's Tin Pan Alley and American covers and gave them an abrasive, vigorous kick that made for fabulous 45s. They may not have had quite the Polish of their US counterparts, but the rough 'n' ready sound of the Marylebone Beat Girl was precisely her appeal. Among the many highlights are 'Dancing Yet', a Dobie Gray-style discotheque number by Liza & the Jet Set; 'Like The Big Man Said' by Toni Daly, a cover of Italian star Caterina Caselli's 'L'uomo D'oro' with edgy English lyrics by Peter Callander; and Billie Davis' groovy gender-switched update of Chuck Willis' R&B nugget 'Whatcha' Gonna Do'.

This follow-up to our recent 'Love Hit Me! Decca Beat Girls' and 'Scratch My Back! Pye Beat Girls' releases comprises superior 60s she-pop from the EMI group of record labels - Parlophone, Columbia and HMV - headquartered in Marylebone in the heart of London's West End. Among the many highlights are 'Dancing Yet', a Dobie Gray-style discotheque number by Liza & the Jet Set; 'Like The Big Man Said' by Toni Daly, a cover of Italian star Caterina Caselli's 'L'uomo D'oro' with edgy English lyrics by Peter Callander; and Billie Davis' groovy gender-switched update of Chuck Willis' R&B nugget 'Whatcha' Gonna Do'.

"Brick by brick we ah set it rocksteady, took some time for us to get ready…"
New music for a new world from New Kingston: the Jamerican band is just starting its international ascent, despite its solid US-fan-base and a decade-long existence. The founding bricks were laid by Jamaican bass-player Courtney Panton who moved to New York with his family in the early 80ies and, about 20 years ago, enthused his sons to pick up and learn one or two or three of the many instruments he had accumulated in his house. The result is a home-grown band of four: while Daddy Panton naturally provides the bass, his eldest son Courtney Junior rocks the drums, Stephen plays guitar and "baby" Tahir hits the keys.

At the Club: 16 Killer Beat-Punkers from Europe Review by Richie Unterberger
Yes, the 16 mid-'60s Continental cuts assembled here are hellishly rare, and the compilers took care to ensure geographical diversity, with groups from Switzerland, Holland, Germany, Sweden, Italy, Spain, and one from Australia. It's a mediocre anthology, though, with the usual top-heavy equation of raw enthusiasm far outweighing strong material. Even when judged against the standards of the genre, it doesn't stack up well; there are numerous better Eurobeat compilations around. The only true standouts among the basic R&B-influenced numbers are the Dynamites (from Switzerland), who sound like a garage Them on "Don't Leave Me Behind," and Australia's Fabulous Bluejays, who absorbed the most British Invasion influence of any of the acts on the LP.