These Decca recordings of Vaughan Williams's complete symphonies appear in a boxed set for the first time ever, and they feature such august personages as sopranos Isobel Baillie and Margaret Ritchie, baritone John Cameron and speaker John Gielgud!
Adrian Boult conducts the London Philharmonic Orchestra.
The release of Bernard Haitink's new cycle of the Beethoven symphonies was one of the most talked about classical events of 2006. Over recent years many people had questioned whether another complete set of Beethoven's symphonies would ever be recorded. But Haitink's revelatory recordings have demonstrated why fresh new interpretations of Beethoven's music are so important and why the composer's music is still so relevant today.
Bernard Haitink & London Symphony Orchestra started their Bruckner cycle with this album. Haitink’s previous releases on LSO Live (Beethoven: Complete Symphonies & Triple Concerto & Strauss: Ein Alpensinfonie) are very good, & now he continues this line. Bernard Haitink is internationally renowned for his interpretations of Bruckner and is widely recognised as the world’s leading Bruckner conductor.
The 1st & final movements of Brahms’s 3rd Symphony contain some of the most dramatic music he was to compose, yet both end serenely & enclose 2 beautiful inner movements. The equally exquisite Serenade No 2, unusually scored for wind instruments, violas, cellos & double basses, was 1 of his own personal favourites & both receive superb performances under Bernard Haitink in the 3rd part of his internationally acclaimed LSO Live Brahms cycle.
Loaded with German Romanticism & including variations on a Bach cantata, Brahms’ final symphony is a remarkable example of his mastery of symphonic composition. A rich, warm work that builds on a sense of movement & intensity right up to the final bars. This release also represents the completion of Bernard Haitink’s celebrated LSO Live Brahms cycle that has included the symphonies, Double Concerto, Tragic Overture & Serenade No 2.
The Karajan Official Remastered Edition comprises 13 box sets containing official remasterings of the finest recordings the Austrian conductor made for EMI between 1946 and 1984, and which are now a jewel of the Warner Classics catalogue.
This particular recording has been a favourite of mine since its initial release nearly 30 years ago. Stephen Kovacevich (or Bishop-Kovacevich. if you prefer) appeals as 1 of those pianists whose playing is rather forthright & precise, giving us here a rather lyrical presentation of the concerti full of grace & good demeanor. A little on the light side compared to those who pound out their Beethovens some would think.
Hollow pathos is not his thing. From an artist like Mariss Jansons Friedrich Schiller’s Ode: “An die Freude” must receive a far deeper significance, which also fully encompasses the doubt and profound hope embodied in this text. And thus, in Jansons’s recording of the Ninth Symphony, the choral finale does not degenerate to mere superficial orgy of jubilation, but rather becomes a delicately balanced, wisely developed drama. On October 27, 2007, the Symphonieorchester des Bayerischen Rundfunks played Beethoven’s Ninth in the presence of the Pope in the Vatican. The recording of this memorable concert is now being released in the highest audiophile recording quality as a multi-channel SACD.
The genre of the symphony played a major role throughout the creative life of Pyotr Tchaikovsky. He composed his 1st symphony at the age of 26, & his 6th & last symphony – the Pathйtique – in 1893, the year in which he died. Whereas his 3 last symphonies have remained an integral part of the concert repertoire, performances of his 1st 3 symphonies are still quite rare. Unfairly so, as they are unique individual works, artistic expressions of a high quality. Tchaikovsky defined the symphony as “the most lyrical of musical forms. After all, is it not meant to express that for which there are no words, but which forces itself out of the soul, impatiently waiting to be uttered?”. With these words, Tchaikovsky makes us aware of the special nature of his symphonies. Primarily, they provided him with a musical outlet for the elaboration of his emotions, his mental & spiritual processes.
Erich Leinsdorf was an Austrian-born American conductor. He performed and recorded with leading orchestras and opera companies throughout the United States and Europe, earning a reputation for exacting standards as well as an acerbic personality. He also published books and essays on musical matters.