Beethoven Missa Solemnis Klemperer

With no slight intended to the other great recordings of the Missa Solemnis in the world, there's this one and then there are all the rest. Truly. Even with the 1940 Toscanini and the 1974 Böhm, this 1965 recording of Otto Klemperer and the Philharmonia Orchestra and Chorus embodies everything that's great about the Missa Solemnis.

It's not as bad as it might be, but still, except as a memento of the occasion, there really isn't much reason for Eugene Ormandy's 1967 recording of Beethoven's Missa Solemnis to have been reissued. Columbia's stereo sound was distant and a little tubby and Sony's digital remastering is a little closer but still tubby. The singing is okay but nothing special: Arroyo's is probably the best, but Forrester, and especially Siepi, were showing their vocal age by 1967.

This album is part of a series of twenty must-have titles from the Warner Classics catalog, featuring their original and well-known iconic covers. Few musical works express man’s metaphysical aspirations more powerfully than Beethoven’s titanic Missa Solemnis. As Otto Klemperer wrote some years before making this recording, “It is enormously difficult to translate into reality a work which doesn’t take reality into account.” He had first conducted the Missa Solemnis in 1927 and it came to define the epic grandeur of his interpretative style.

This really was quite a fine recording of Beethoven's Missa Solemnis, one of the best in years and easily the best of the early music recordings. The Choeur de la Chapelle Royale et du Collegium Vocale sing with strength and stamina, but also with grace and beauty of tone. The Champs Elysees Orchestra plays with power and precision, but also with unity of ensemble and beauty of tone, a very rare quality in an early music orchestra. And Herreweghe himself is actually an apt interpreter of the work. Not only does he have a knack for bringing out better than the best in his performers, but he actually seems to believe in the spiritual and sublime essence of the work, a very, very rare quality in any conductor these days.

In 1955 and at the peak of his postwar powers, Karl Böhm recorded Beethoven's Missa Solemnis with the Berlin Philharmonic with an all-star cast of soloists. It is a great and powerful performance: tightly argued, superbly played, fabulously sung, and very dramatic. Deutsche Grammophon's original mono recording was clear but a little distant, and the digital remastering keeps the clarity and brings the performers a little closer to the listener. In every way that matters, this is a great Missa Solemnis. The thing is, how many recordings of the Missa Solemnis does anyone want or need? There's Böhm's later 1974 with the Vienna Philharmonic, a deeper and more transcendent performance.

When Rafael Kubelik's 1977 recording of Beethoven's Missa Solemnis was finally released in 1994, the pantheon of great Missa Solemnis recordings had to make room for another member. Along with superb singing from the four soloists and the chorus, the superlative playing from the Bavarian Radio Symphony, and the supreme conducting from Kubelik himself, all the things that make the Missa Solemnis great the profundity, the spirituality, and the overwhelming sense that the numinous is imminent are present in Kubelik's interpretation.

Ludwig van Beethoven is one of the towering heroes of music. As a composer, he became a transformational, sometimes revolutionary force. As a man of spirit and inspiration, he triumphed over deafness to produce a wealth of masterpieces. Over the course of more than two centuries, his works have delighted, surprised, amazed and moved listeners. The greatest moments of his multi-faceted genius – from the heroic to the intimate – can be experienced here in performances by instrumentalists, singers and conductors of the utmost distinction.

It was often told from the past that the Recording with the Concept Hebows Vascular Orchestra is the ability to listen to the highest level of performances without taking into account for sound quality. However, in fact, there is a problem with the physical specs that are unique to old live recording and broadcast recording, and it is not often offered by other enthusiasts and when it comes to cleanperer, it has been widely heard as a representative masterpiece of plays that commanded the Philharmonia Strings Orchestra. While the fun of the magnified information that can be heard in studio recordings is unmatched, the Clampeller's music was originally more lively and powerful, with long time conducted in theaters and concert halls.