Beethoven Piano Trio

The Beaux Arts Trio's 1964 recordings of Ludwig van Beethoven's "Archduke" and "Ghost" trios have long been staples in the catalog, despite being superseded in 1979 by more polished recordings. To avoid confusion, the 2013 reissue in the Virtuoso series on Decca is merely a repackaging of the 1964 Philips sessions, which also include the early "Gassenhauer" Trio.

Dutch musicians are different. They are absolutely objective, but deeply passionate; completely faithful to the letter of the score, but totally in touch with the spirit behind the score; wholly dedicated to their ensemble, but profoundly individualistic in their expression. In these ways, the Storioni Trio is the epitome of Dutch music-making. On this disc, the Storioni Trio fully inhabits not only the late eighteenth century world of Beethoven's early E flat major Trio Op. 1/2, but also the early nineteenth century world of Beethoven's later D major Trio, Op. 70/1, nicknamed the "Ghost."

Recreating the tonal language of a composer and the essence of an entire age is the goal of the young Trio Alterna, which has recorded a CD of piano trios by Ludwig van Beethoven on GENUIN that includes the composer's magnificent "Ghost Trio". Takahiko Sakamaki (piano), Anna Dmitrieva (violin), and Amarilis Dueñas CastAn (cello) are all distinguished representatives of their generation in the field of historical performance practice. The trio, which began its career by winning a prize at the International Competition "Beethoven in his Time" in 2020, not only performs on period instruments but also consults period sources and manuscripts of the works being performed for its interpretations.

With the three piano trios, Op. 1, Ludwig van Beethoven took a genre still largely associated with salon music and raised it up to rival the string quartet. The works are innovative in form as well as in content. From this collection, the Trio in G major, Op. 1 No. 2, appears as a cheerful and engaging work. While it has been said that one could discern ‘the master’s happy youth […] still unclouded, light and frivolous’, hints of ‘the deep seriousness and tender intimacy that would follow’ can also be found.

With the three piano trios published in 1795, Op. 1, Ludwig van Beethoven took a genre still largely associated with salon music and raised it up to rival the string quartet. In these works, Beethoven saw the true start of his creative journey.

What ensemble could be more predestined for Ludwig van Beethovens piano trios than the Vienna Piano Trio? Following its brilliant beginning with the Trios op. 70, this top ensemble from Vienna now presents the magnificent and mighty Archduke Trio op. 97 in surprisingly close album association with the standout Trio in C minor from op. 1, a work with trailblazing qualities that immediately caught Joseph Haydns attention. And with a beginning that must have immediately irritated listeners of those times: is that still the introduction or already the theme?