This is the fifth disc in a series that sets Beethoven’s violin sonatas in their social and musical context. Beethoven’s three Sonatas Op 12, mark the beginning of an extraordinary group of works which would climax with the Op 96 Sonata which he completed at the end of 1812. Beethoven and Romberg shared a history as string players. In 1790, Romberg joined Beethoven in the electoral court orchestra in Bonn, led by Beethoven’s erstwhile violin teacher, Franz Anton Ries. This laid the foundations for Beethoven when he instituted his team of string players in Vienna in the years following his arrival there in 1792.
Following the collections of symphonies (Czech Philharmonic Orchestra, Kletzki, SU 4051-2) and violin sonatas (Suk, Panenka, SU 4077-2), Supraphon is now releasing the complete Beethoven concertante pieces. All of them (including the Triple Concerto and the genre-unique Fantasia for Piano, Chorus and Orchestra) came into being within a mere sixteen years, between 1793 and 1809. Although Beethoven deemed the piano "an imperfect instrument", his five piano concertos form one of the cornerstones of his oeuvre and represent a significant landmark in this genre.
Karajan and the Berlin Philharmonic release live recordings of Beethoven's complete symphonies and his concerto with Alexis Weissenberg, which he recorded in Japan from November 13 to 18, 1977, in a limited edition box of 6 CDs.
The latest 192kHz 24bit remastering without artificial equalization delivers powerful and clear sound. It is a treasure-like record that allows you to enjoy Karajan's true magic and the Berlin Philharmonic's skills, which are difficult to detect in studio recordings.
Beethoven's Seventh Symphony was first performed in December 1812, in Vienna, and was an immediate hit. The second movement "allegretto" was applauded so loudly that it had to be repeated on the spot. The symphony was later dubbed "Apotheosis of the Dance" by Richard Wagner, in recognition of the strong rhythmic character of all four movements. The allegretto itself is one of Beethoven's, and music's, most inspired moments and has an otherworldly quality that has rarely been equaled before or since. The other three movements are noted for their liveliness and driving force.
This album is part of a series of twenty must-have titles from the Warner Classics catalog, featuring their original and well-known iconic covers. Few musical works express man’s metaphysical aspirations more powerfully than Beethoven’s titanic Missa Solemnis. As Otto Klemperer wrote some years before making this recording, “It is enormously difficult to translate into reality a work which doesn’t take reality into account.” He had first conducted the Missa Solemnis in 1927 and it came to define the epic grandeur of his interpretative style.
Over 175 hours of music, featuring recordings by over 250 of the greatest Beethoven performers, ranging from Karl Böhm to Alfred Brendel, Claudio Arrau to the Amadeus Quartet, Wilhelm Furtwängler to Dietrich Fischer-Dieskau, Emil Gilels to John Eliot Gardiner, Wilhelm Kempff to Herbert von Karajan, Yehudi Menuhin to Anne-Sophie Mutter, and Murray Perahia to Maurizio Pollini. Includes more than two hours of newly recorded music including several world premieres with Lang Lang, Daniel Hope and Tobias Koch. Over 30 discs of alternative recordings including historic performances and period instrument recordings. Limited & Numbered Edition.
Over 175 hours of music, featuring recordings by over 250 of the greatest Beethoven performers, ranging from Karl Böhm to Alfred Brendel, Claudio Arrau to the Amadeus Quartet, Wilhelm Furtwängler to Dietrich Fischer-Dieskau, Emil Gilels to John Eliot Gardiner, Wilhelm Kempff to Herbert von Karajan, Yehudi Menuhin to Anne-Sophie Mutter, and Murray Perahia to Maurizio Pollini. Includes more than two hours of newly recorded music including several world premieres with Lang Lang, Daniel Hope and Tobias Koch. Over 30 discs of alternative recordings including historic performances and period instrument recordings. Limited & Numbered Edition.
Daniel Barenboim, the universally admired interpreter of Beethoven’s music, is both - pianist and conductor - in these celebrated performances of the Beethoven Piano Concertos. At the Ruhr Piano Festival, Daniel Barenboim performed these compositional masterpieces together with the Staatskapelle Berlin.
The Calidore Quartet begin their new cycle of Beethoven's complete String Quartets with the Late Quartets, a 3-volume set of Opp. 127, 130, 131, 132, 133 & 135. Performances of the Calidore String Quartet are renowned for their "deep reserves of virtuosity and irrepressible dramatic instinct" (New York Times). Their unique "balance of intellect and expression" (Los Angeles Times) is complemented by the feeling that "four more individual musicians are unimaginable, yet these speak, breathe, think and feel as one" (Washington Post).
Innerhalb kurzer Zeit entschied sich Claudio Abbado zweimal, zusammen mit seinen Berlinern die gesamten Beethoven Sinfonien aufzunehmen. Die vorliegende zweite Aufnahme muss sich also zurecht der Frage stellen: War das wirklich nötig? Die Antwort ist simpel: Es war nötig, denn Abbado nahm zahlreiche Schönheitskorrekturen vor, wodurch ein Zyklus entstand, der mit Abstand das Beste ist, was in den letzten Jahren auf diesem Gebiet vorgestellt wurde, allerdings mit einigen kleinen Schönheitsfehlern.