Beethoven

This extraordinary pianist studied the piano at the Moscow Conservatory with Emil Gilels and Yakov Zak…

Carl Meisl's play The Consecration of the House, to the music of Ludwig van Beethoven, was performed in Vienna on October 3, 1822 on the occasion of the reopening of the Theater in der Josefstadt. Its theme is the reawakening of art after times of crisis.

The Afflatus Quartet’s second album features classical repertoire by Beethoven and Mozart. The distinguished ensemble members create a rich, full sound on this wonderful disc…

Beethoven's nine symphonies were recorded by Herbert von Karajan in 1961-1962 with the Berlin Philharmonic Orchestra - of which he became permanent conductor in 1955 to replace Wilhelm Furtwängler - and released on the DG label in 1963. 1963 October 15, Herbert von Karajan and the Berlin Philharmonic played Beethoven's Ninth Symphony at the inaugural concert of the Berlin Philharmonie.
The first complete recording by the Austrian conductor - next will be the versions recorded between 1975-1977 (released in 1977, also a high-flying interpretation) and between 1982 and 1984 (released in 1985) - this version of 1963 remains the most inhabited on the whole. Technically remarkable, she is one of the great peaks of her discography.

In celebration of Herbert Blomstedt’s 90th Birthday in July 2017, Accentus Music releases a new Beethoven cycle that captures the spirit of the long-standing partnership between the legendary conductor laureate and the Gewandhausorchester Leipzig. All nine symphonies, released in a box set containing five CDs, are live recordings made at the Leipzig Gewandhaus between May 2014 and March 2017.

This album is part of a series of twenty must-have titles from the Warner Classics catalog, featuring their original and well-known iconic covers. Few musical works express man’s metaphysical aspirations more powerfully than Beethoven’s titanic Missa Solemnis. As Otto Klemperer wrote some years before making this recording, “It is enormously difficult to translate into reality a work which doesn’t take reality into account.” He had first conducted the Missa Solemnis in 1927 and it came to define the epic grandeur of his interpretative style.