Beethoven: Piano Concertos – Mitsuko Uchida

Simon Rattle, Berliner Philharmoniker, Mitsuko Uchida - Beethoven: Piano Concertos 1–5 (2018) [Blu-Ray]

Simon Rattle, Berliner Philharmoniker, Mitsuko Uchida - Beethoven: Piano Concertos 1–5 (2018) [Blu-Ray]
BluRay | BDMV | MPEG-4 AVC Video / 1080i / 29,970 fps | 205 min | 38,7 Gb
Audio1: LPCM Audio / 2.0 / 16-bit | Audio2: DTS-HD Master Audio / 5.0 / 48 kHz / 24-bit

BluRay-rip | AVC | MKV 1920x1080 / 6215 kbps / 29,970 fps | 205 min | 11,1 Gb
Audio: DTS / 5ch / 48.0 KHz / 16 bits
Classical | Berliner Philharmoniker

There is hardly a better way to approach Ludwig van Beethoven than through his piano concertos. Beethoven’s own instrument was the piano, and in his improvisations – which made him the darling of the Viennese salons – he merged virtuosity and unbridled expression. The piano concertos give a clear idea of these performances. At the same time, they are prime examples of Beethoven’s ability to create large orchestral works with seemingly endless arcs of tension.
Mitsuko Uchida, Kurt Sanderling - Beethoven: Piano Concertos Nos. 3 & 4 (1996)

Mitsuko Uchida, Kurt Sanderling - Beethoven: Piano Concertos Nos. 3 & 4 (1996)
EAC | FLAC (image+.cue, log) | Covers Included | 01:52:22 | 311 MB
Genre: Classical | Label: Philips | Catalog: 446082

Mitsuko Uchida's recordings continue to win golden opinions on first appearance; and thereafter, which is always the sterner test. It is interesting how often her name appears in "Building a Library" shortlists on BBC Radio 3. Most recently. it was her Philips recording of Schumann's Carnaval (Philips, 5/95) which won the corporation's coveted laurel. This pairing of Beethoven's Third and Fourth Piano Concertos is formidable, too, the playing at once brilliant and sensitive, rigorous and free-spirited.
Berliner Philharmoniker, Sir Simon Rattle and Mitsuko Uchida - Beethoven: Piano Concertos 1-5 (2019) [24/48]

Berliner Philharmoniker, Sir Simon Rattle and Mitsuko Uchida - Beethoven: Piano Concertos 1-5 (2019)
FLAC (tracks) 24-bit/48 kHz | Time - 181:23 minutes | 1.67 GB
Studio Master, Official Digital Download | Artwork: Digital Booklet

There is hardly a better way to approach Ludwig van Beethoven than through his piano concertos. Beethoven’s own instrument was the piano, and in his improvisations – which made him the darling of the Viennese salons – he merged virtuosity and unbridled expression. The piano concertos give a clear idea of these performances. At the same time, they are prime examples of Beethoven’s ability to create large orchestral works with seemingly endless arcs of tension.
Berliner Philharmoniker, Sir Simon Rattle and Mitsuko Uchida - Beethoven: Piano Concertos 1-5 (2019)

Berliner Philharmoniker, Sir Simon Rattle and Mitsuko Uchida - Beethoven: Piano Concertos 1-5 (2019)
FLAC tracks +booklet | 03:01:23 | 676 Mb
Genre: Classical / Label: Berliner Philharmoniker

There is hardly a better way to approach Ludwig van Beethoven than through his piano concertos. Beethoven’s own instrument was the piano, and in his improvisations – which made him the darling of the Viennese salons – he merged virtuosity and unbridled expression. The piano concertos give a clear idea of these performances. At the same time, they are prime examples of Beethoven’s ability to create large orchestral works with seemingly endless arcs of tension.The complete recording of all five works with Mitsuko Uchida and Sir Simon Rattle was one of the most spectacular projects of the Berliner Philharmoniker during the Rattle era – and at the same time the highlight of the collaboration between the orchestra and the pianist, which began in 1984.
Richard Goode - Richard Goode plays Johannes Brahms (1987) Reissue 2011

Richard Goode - Richard Goode plays Johannes Brahms (1987) Reissue 2011
Eight Piano Pieces Op.76, Seven Fantasies Op.116, Four Piano Pieces Op.119

EAC | FLAC | Image (Cue&Log) ~ 169 Mb | Mp3 (CBR320) ~ 141 Mb | Scans included
Genre: Classical | Label: Nonesuch | # 7559-79154-2 | Time: 01:01:48

The three works included on this album are representative of the final stage in the development of Brahms’s writing for solo piano, in which grand, formal structures gave way to groups of short episodic pieces. The New York Times praised Goode’s performances here as “excellent,” declaring, “this is music that suits the pianist's dark tone and searching intellect.”