Beggin'

Larry Davis - I Ain't Beggin' Nobody (1988) [Reissue 1993]  Music

Posted by gribovar at July 12, 2023
Larry Davis - I Ain't Beggin' Nobody (1988) [Reissue 1993]

Larry Davis - I Ain't Beggin' Nobody (1988) [Reissue 1993]
EAC Rip | FLAC (tracks+.cue+log) - 220 MB | MP3 CBR 320 kbps (LAME 3.93) - 93 MB | Covers - 13 MB
Genre: Blues, Texas Blues | RAR 3% Rec. | Label: Evidence Music (ECD 26016-2)

Only bad luck and the follies of the record industry have prevented Larry Davis from being the well-known blues star he should be. Davis has never received either sustained label support or concentrated marketing and thus is only a footnote when he should be a full chapter. His playing is energetic and varied, while his vocals are animated, soulful, and expressive. He recorded the nine tracks on this '85 date (newly reissued on CD by Evidence) with longtime blues and soul producer and instrumentalist Oliver Sain at the controls, and Davis demonstrated his convincing appeal on Sain's title track, as well as the defiant "I'm A Rolling Stone" (another Sain original), Davis' own anguished "Giving Up On Love," and "Please Don't Go," a Chuck Willis composition.

Big George Jackson - Beggin' Ain't For Me (1998)  Music

Posted by gribovar at Nov. 2, 2022
Big George Jackson - Beggin' Ain't For Me (1998)

Big George Jackson - Beggin' Ain't For Me (1998)
EAC Rip | FLAC (image+.cue+log) - 337 MB | MP3 CBR 320 kbps (LAME 3.93) - 114 MB | Covers - 8 MB
Genre: Blues | RAR 3% Rec. | Label: Black & Tan Records (B&T003)

Revered songwriter Big George Jackson's songs didn't have the same snap, crackle, and pop when he recorded them himself - they always came off better when sung by other singers. Jackson's low voice wasn't the best vehicle to sell the hearty Southern dramas he wrote so prolifically; it was better suited for uptempo blues, the material that comprises the lion's share of Beggin' Ain't for Me. He wrote eight of the ten songs, but the most lively numbers are Elmore James' "Shake Your Moneymaker" and "Kitchen Sink Boogie" (credited to a trio of writers) with its strong lead guitar play. Jackson's no spring chicken, but "Ella May" sounds as if a much older man is singing; the lyrics don't get much more complex than, "Ella May what you got cookin' today"…

James Brown - The Complete James Brown (2023)  Music

Posted by ciklon5 at Nov. 9, 2023
James Brown - The Complete James Brown (2023)

James Brown - The Complete James Brown (2023)
FLAC (tracks), Lossless / MP3 320 kbps | 4:18:06 | 585 Mb / 1,1 Gb
Genre: Soul, funk

Le James Brown funk c'est le James Brown qui ne se contente pas du langage R&B et surtout soul des 60's. La soul, ce médium positif, qui n'a pas coupé le cordon avec le gospel, et tente d'allier sophistication des arrangements et pop music (au vrai sens de musique populaire). Leurs génies même ne lui suffisent pas. Et contrairement à un Nat King Cole, James n'aspire pas à rentrer dans une case façonnée par les Blancs. Il sait très bien qu'à son apogée, LeRoi Jones écrira « James Brown est notre poète noir n°1 ». Mais avant de porter une telle armure, James Brown ne pouvait échapper au conte de fée que la bannière étoilée aime raconter à ses enfants les soirs d'hiver près de la cheminée. Ces histoires improbables d'un moins que rien langé dans les eaux anthracites des caniveaux des bleds pouilleux du sud de l'Amérique, qui se termine sur des affiches placardées en lettres de feu dans les plus grandes salles de concerts du territoire et du reste du monde.
VA - Beatschuppen: Essential Club Music From The 60s (2005)

VA - Beatschuppen: Essential Club Music From The 60s (2005)
FLAC (tracks) - 447 MB | MP3 CBR 320 kbps - 162 MB
01:09:57 | Garage Rock, Psychedelic Rock, Soul | Label: Panatomic PA 004

A very groovy comp about mod and beat 60's favorites played at the Atomic Cafe in Germany, compiled by Markus Weissenhorn aka Weyssi.
VA - Beatschuppen: Essential Club Music From The 60s (2005)

VA - Beatschuppen: Essential Club Music From The 60s (2005)
FLAC (tracks) - 447 MB | MP3 CBR 320 kbps - 162 MB
01:09:57 | Garage Rock, Psychedelic Rock, Soul | Label: Panatomic PA 004

A very groovy comp about mod and beat 60's favorites played at the Atomic Cafe in Germany, compiled by Markus Weissenhorn aka Weyssi.
VA - Beatschuppen: Essential Club Music From The 60s (2005)

VA - Beatschuppen: Essential Club Music From The 60s (2005)
FLAC (tracks) - 447 MB | MP3 CBR 320 kbps - 162 MB
01:09:57 | Garage Rock, Psychedelic Rock, Soul | Label: Panatomic PA 004

A very groovy comp about mod and beat 60's favorites played at the Atomic Cafe in Germany, compiled by Markus Weissenhorn aka Weyssi.
VA - Beatschuppen: Essential Club Music From The 60s (2005)

VA - Beatschuppen: Essential Club Music From The 60s (2005)
FLAC (tracks) - 447 MB | MP3 CBR 320 kbps - 162 MB
01:09:57 | Garage Rock, Psychedelic Rock, Soul | Label: Panatomic PA 004

A very groovy comp about mod and beat 60's favorites played at the Atomic Cafe in Germany, compiled by Markus Weissenhorn aka Weyssi.

Frankie Valli & The 4 Seasons - Greatest Hits, Volume 2 (1991)  Music

Posted by BlondStyle at Oct. 18, 2019
Frankie Valli & The 4 Seasons - Greatest Hits, Volume 2 (1991)

Frankie Valli & The 4 Seasons - Greatest Hits, Volume 2 (1991)
Early Pop/Rock, Soft Rock, Doo Wop | EAC Rip | FLAC, Tracks+CUE+LOG+Scans (PNG) | 49:23 | 350,69 Mb
Label: Warner Special Products/Rhino Records (USA) | Cat.# R2 70595 (OPCD-1618) | Released: 1991-11-19

The mid-'60s were a time of transition for Franki Valli and the Four Seasons. The teen market had put Valli on the map, but he knew that teenagers turn into adults, so he gradually shifted his focus from teen pop to a more mature and middle of the road (although still quite sugary) approach that incorporated influences ranging from Motown and the Beach Boys to the British Invasion. This new outlook would be reflected not only in his work with the Four Seasons, but also in the solo career he launched in 1965. Spanning 1964-1978, Greatest Hits, Vol. 2 spotlights an edgier Valli than you'll generally find on Vol. 1.
Frankie Valli & The Four Seasons - The Definitive Pop Collection (Remastered) (2006)

Frankie Valli & The Four Seasons - The Definitive Pop Collection (Remastered) (2006)
WEB FLAC (tracks) - 585 MB | MP3 CBR 320 kbps - 228 MB
01:28:55 | Rock, Pop, Rock & Roll, Vocal | Label: Rhino

This is a compilation of Franki Valli & The 4 Seasons' hits, including "Big Girls Don't Cry", "Sherry", and "December, 1963 (Oh What A Night)". Although they were one of the very biggest rock & roll groups of the 1960s, the Four Seasons – unlike, say, the Beatles, Rolling Stones, or the Byrds – don't excite virtually automatic respect from listeners and critics. A big factor is their most distinguishing trademark, the high falsetto vocals of their lead singer, Frankie Valli. Many also found their material – romantic tunes with tightly arranged group harmonies that updated doo wop ethos into the '60s – a little too clean-cut. Whatever your feelings about the group, though, there's no denying their considerable importance.

Philip Glass - A Descent into the Maelstrom (2002)  Music

Posted by Designol at July 5, 2023
Philip Glass - A Descent into the Maelstrom (2002)

Philip Glass - A Descent into the Maelström (2002)
The Philip Glass Ensemble; Michael Riesman, musical director

EAC | FLAC | Tracks (Cue&Log) ~ 383 Mb | Mp3 (CBR320) ~ 152 Mb | Scans included
Minimalism, Modern Ballet | Label: Orange Mountain Music | # OMM 0005 | 01:05:09

In 1986 Mr. Glass was commissioned to create and bring a piece to the Adelaide Festival of Arts in Adelaide, Australia. He chose to write a piece based on the Edgar Allan Poe short story "A Descent into the Maelström" and invited collaborators dancer/choreographer Molissa Fenley, set designer Eamon D’Arcy and theatre director Mathew McGuire to participate. They transformed Edgar Allan Poe's vertiginous short story of being swept into a huge and terrible whirlpool by a raging hurricane that "the oldest seaman in Norway never experienced" into a Musical/Dance/Theatre extravganza. This compelling, propulsive piece of music premiered in March, 1986 at the Adelaide Festival of Arts and was only performed by the Philip Glass Ensemble during the week of the festival in Australia. Consequently, it has had very little exposure to Philip Glass' audience. This little known recording of this powerful piece of classic Glass music was made when the Philip Glass Ensemble was at one of its peaks. It was also done in possibly one of the best settings for Philip Glass and his musicians– musical theatre.