Beijing Joyside

From the bustling chaos of Beijing to the deserts of Xinjiang, Lost In China celebrates a new generation of artists who, united by their desire to explore and at times confound local traditions, have not previously been heard outside their homeland.

Al di Meola, who in his early days sometimes sacrificed feeling for speed (he always had remarkable technique), grew and developed through the years. His final of three Manhattan releases is his finest, a sextet outing with keyboardist Kei Akagi, electric bassist Anthony Jackson, acoustic bassist Harvie Swartz, drummer Tommy Brechtlein, and his longtime percussionist, Mino Cinelu. Having grown out of his fusion roots, di Meola's interest in world music and folk music from other countries is displayed throughout this colorful set, particularly on such numbers as "Beijing Demons," "Song to the Pharoah Kings," and the exciting "Rhapsody of Fire."

Andreas Varady's eponymous 2014 Verve debut artfully celebrates the Hungarian jazz guitarist's prodigious skill. A prodigy, Varady has been playing guitar since childhood. Only 17 at the time of this release, he has a fluid, technically proficient style that reveals a love of jazz tradition, both old and new. However, rather than simply delivering a collection of well-worn standards, a task Varady is clearly capable of, here he delves into a batch of modern pop hits and original songs in a contemporary jazz style. Executive produced by Varady's manager, the legendary Quincy Jones, along with David Paich and Jay Oliver, the album fits more into the instrumental smooth jazz vein of artists like George Benson and Lee Ritenour than it does the straight-ahead style of Wes Montgomery, although Varady dips his toe in that tradition here too.