Belew

Carl Robert Belew was an American country music singer and songwriter. Belew recorded for Decca, RCA Victor, and MCA in the 1950s through 1970s, charting 11 times on Hot Country Songs. He also wrote singles for Johnnie & Jack, Eddy Arnold, Jim Reeves, and others.

“Strange Things Happen” is the title of a song on Gizmodrome´s debut album. Certainly great things have happened in the studio, when the four incredible talents met to create one of the most exciting and versatile albums of 2017.

The Power to Believe (2003) marks the return of King Crimson for the group's first full-length studio release since ConstruKction of Light (2000). While it draws upon material featured on the live Level Five (2001) and studio Happy with What You Have to Be Happy With (2002) extended-play discs, there are also several new sonic sculptures included.

The only progressive rock band from the '60s to be making new, vital, progressive music in the '90s, King Crimson returned from a ten-year exile in 1995 with THRAK, their first album since 1984's Three of a Perfect Pair. As with the '80s band, guitarist/ringleader Robert Fripp recruited singer/guitarist Adrian Belew, bassist Tony Levin, and drummer Bill Bruford for this incarnation of his classic band. However, he added to this familiar quartet two new members: Chapman Stick player Trey Gunn and ex-Mr. Mister drummer Pat Mastelotto. Effectively, Fripp created a "double trio," and the six musicians combine their instruments in extremely unique ways.

THRAK is the eleventh studio album by the band King Crimson released in 1995, the successor to the mini-album VROOOM (1994). This album was recorded in the "double trio" format of King Crimson. With the band consisting of two guitarists, two bassists and two drummers the opening track begins with all six musicians in the center of the mix. Then as the track gets going they are split into two trios (guitar, bass and drums) with three going to the left channel and three going to the right. The this new release is part of the group's ongoing 40th Anniversary Series, which began in 2009 with the release of NEW Stereo and Surround sound mixes of the progressive rock progenitor's…

When King Crimson leader Robert Fripp decided to assemble a new version of the band in the early '80s, prog rock fans rejoiced, and most new wave fans frowned. But after hearing this new unit's first release, 1981's Discipline, all the elements that made other arty new wave rockers (i.e., Talking Heads, Pere Ubu, the Police, etc.) successful were evident. Combining the futuristic guitar of Adrian Belew with the textured guitar of Fripp doesn't sound like it would work on paper, but the pairing of these two originals worked out magically.

Over the past half century, Tony Levin has been a prolific session player and one of the most active live performers on the planet. He's contributed his talents to over five hundred albums amongst which include 15 with Peter Gabriel and 18 with King Crimson (counting live, studio, and compilations). Alongside contributions to the work of John Lennon, Alice Cooper, Lou Reed, Herbie Mann, Paul Simon and many others. On tour, he's travelled The World many times over with the aforementioned King Crimson, Peter Gabriel, and several of his own bands including Stick Men. This Fall, he'll stage 65 performances in North America as a member of BEAT, celebrating King Crimson's 80's repertoire alongside Adrian Belew, Steve Vai and Danny Carey interpreting Discipline, Beat and Three of a Perfect Pair."

One of the leading lights of Ethiopian music presents his first new material in an age on Lala Belu for Awesome Tapes From Africa - the label who were instrumental in showcasing his work to wider audiences with the compilation Hailu Mergia & His Classical Instrument: Shemonmuanaye in 2013, and later a reissue of reissue of his Tche Belew [1977] album.

Upon its release in 1984, Three of a Perfect Pair caused some unrest among fans of King Crimson. Most of their audience felt that the band had made a conscious and obvious decision to try to break through to a more mainstream pop audience. But in hindsight, this is hardly the case; it sounds unlike anything that was out at the time. Like 1982's Beat, Three of a Perfect Pair doesn't quite meet the high standards set by 1981's Discipline, but does contain a few Crimson treats.

Beat is not as good as its predecessor (1981's Discipline), but it's not too shabby, either. The '80s version of King Crimson (Robert Fripp, guitar; Adrian Belew, vocals/guitar; Tony Levin, bass; and Bill Bruford, drums) retains the then-modern new wave sound introduced on Discipline. The band's performances are still inspired, but the songwriting isn't as catchy or strong.