Bell'italia N.441

To discover the origins of rock & roll, one has to return to the music of the 1930s and '40s, when the blues and rhythm & blues ruled the airwaves. The musical geniuses of these genres were primarily African American, although a few Anglo artists crossed over into the earthy music played in dance halls and on the radio. Few of these artists cashed in like their spiritual descendants a generation later. Nonetheless, they have left a legacy in song of their rich tradition. This CD is part of a series that traces the colorful history of rock & roll to its source. Making an appearance are New Orleans R&B giants Fats Domino and Dave Bartholomew. Other well-known artists include B.B. King, Wynonie Harris, Tennessee Ernie Ford, Louis Jordan, Champion Jack Dupree, and the Sons of the Pioneers…

G.E.N.E. (Grooving Electronic Natural Environments) is a Canadian New Age instrumental band. The idea of this world-famous project was born in June 1987, during a conversation under the stars around a campfire and tents on the shore of the lake in the Canadian woods. That night, Cleo de Mallio took the first steps in a musical odyssey that is still not completed. The conversation was carried on the nature and technology, the world and machines, the new digital sound and lofty emotions. Father of the project and the producer is Michael Weisser - founding member of the German band Software, one of the disciples of the legendary Klaus Schulze, the founder of the company's IC/Digit music, on which he produced G.E.N.E. and Software. Michelle Weisser - it is not trivial producer who invested and believed in the idea…

The ten CDs are, so to speak, the antidote to our eroticly charged box '' Sex, Drugs And Alcohol '': Absolutely youthful, this new edition is full of romance, longing, love cries and the accompanying drama. The Rockn Roll era, which was otherwise so wild, has given us a lot of memorable love songs, which the young Elvis was so lucky enough to make on his first LP. He is in this box as well as many of his Rock'n'Roll-colleagues, but there are hardly any well-known singers, who have not dealt with heartache and love-passion during their career:

Elvis Presley, Chuck Berry, Fats Domino, Johnny Cash, Chris Montez, Roy Orbison, The Platters, The Clovers and many others.

This 16-track compilation covers Senegalese singer/songwriter and multi-instrumentalist Youssou N'Dour's Columbia Records period, from 1991 to 1996. Perhaps the most popular pop culture figure in Senegal's history, N'Dour created a music of his own from various sources, which he called "mbalax" and which incorporates everything from jazz, soul, hard R&B styles, hip-hop, and even Cuban samba, and juxtaposes them with the folk melodies and polyrhythms of his native land. The cuts here, particularly "Old Man," "New Africa," "Yo le Le, (Fulani Rhythm)," and the covers of Smokey Robinson's "Don't Look Back," and Lennon and McCartney's "Ob-La-Di-Ob-La-Da," reveal N'Dour's idiosyncratic, yet very accessible grasp and integration of Western and African pop styles.

Really appreciated both by listeners & critics, more than just a compilation, Break n' Bossa has been, during the years, the exact mirror of a music scene, rather, it was the project that literally invented a new music genre, giving a connotation & a point of reference to the growing up scene. Schema Records helped in its development with all its artists.

If you lived outside America during the 1950s, when rock & roll exploded across the world, the opportunities to see your idols in the flesh were few and far between. Even at home, in North America, Elvis Presley, Little Richard, Buddy Holly and Jerry Lee Lewis could only be in one place at a time when performing live. So the obvious marriage was made, between rock & roll and the movies. And back then, all the songs you hear spread over this comprehensive 3CD collection could be heard – and seen! – at the cinema.

This 3-CD SoulMusic Records’ set celebrates the recordings that Solomon Burke made for the legendary Atlantic Records label between 1960 and 1968. Solomon is generally acknowledged as one of the greatest soul singers to emerge during the genre’s golden days. He signed to Atlantic before ‘soul music’ became a bona fide sub-genre of African-American music and it was Solomon who helped define this new movement and he was, in fact, one of the first artists to use ‘soul’ to describe his music. He would eventually be known the world over as ‘The King of Rock and Soul’.