Bellyqueen Bellydance Jam

The Jam's enduring, eternal popularity in the U.K. meant an ever-increasing number of archival releases that cropped up over the years, with Live Jam, a fine counterpart to the other official concert album, Dig the New Breed, turning up in 1993. Like that earlier effort, it draws together a slew of tracks from shows ranging from 1979 to 1982, including some cuts from the band's almost-farewell headlining bows at Wembley Arena. Quite happily, there's no track overlap at all with Dig the New Breed, making the two perfectly complementary recordings in ways. The real treat, thanks to the expanded space on CDs, is the inclusion of nine songs from two December 1979 shows in London, the best portrait of what an actual specific show must have been like.

Nearly 15 years after Ten, Pearl Jam finally returned to the strengths of their debut with 2006's Pearl Jam, a sharply focused set of impassioned hard rock. Gone are the arty detours (some call them affectations) that alternately cluttered and enhanced their albums from 1993's sophomore effort, Vs., all the way to 2002's Riot Act, and what's left behind is nothing but the basics: muscular, mildly meandering rock & roll, enlivened by Eddie Vedder's bracing sincerity. Pearl Jam has never sounded as hard or direct as they do here – even on Ten there was an elasticity to the music, due in large part to Jeff Ament's winding fretless bass, that kept the record from sounding like a direct hit to the gut, which Pearl Jam certainly does. Nowhere does it sound more forceful than it does in its first half, when the tightly controlled rockers "Life Wasted," "World Wide Suicide," "Comatose," "Severed Hand," and "Marker in the Sand" pile up on top of each other, giving the record a genuine feeling of urgency. (AMG)