Prolific ambient innovator Steve Roach teams with Ph.D. shamanic practitioner / musician Mark Seelig to create a long-form piece of space-opening sound magic. Like the many fragrant and beautiful night-blooming plants which are host to mind-altering qualities, this 70-minute experience slowly blooms outwards with Mark’s vocal harmonic and Tuva-style overtoning intertwining within Steve’s zones and “terra” grooves. A slow motion magical blend is created in this nocturnal mist-filled realm. The power of the human voice is drawn forth in a primordial understanding and finds a perfect fusion with subterranean heartbeats, drones and zones swelling from the harmonic soil, gently urging the Nightblooming to increase its potency and allure…
This recording not only celebrates multiple centenaries of Malcolm Arnold, Ruth Gipps and Dennis Brain (the dedicatee of the Arnold concerto) who were all born in 1921 - but also three composers whose musical language and worlds bear striking similarities. Both Arnold and Gipps were writing at a time when the grain of musical fashion was going against them. It was composers such as Pierre Boulez, Luigi Nono and Karlheinz Stockhausen from the Darmstadt school who were the intellectual fashion of the time, the music much more experimental, serialist and philosophical in its makeup. In contrast to this, Arnold and Gipps were much more concerned with the listener, the stark reality being that the majority of the public could not love or appreciate music they did not understand.
The name of the group might be immodest, but the combination of pianist Hank Jones, bassist Buster Williams and drummer Tony Williams lives up to its billing. Originally cut for the Japanese East Wind label and last available domestically as an Inner City LP, this swinging but unsurprising session features boppish interpretations of six jazz standards including "Love for Sale," "Secret Love," and "Autumn Leaves."
After the demise of the original Ten Years After in 1974, Alvin Lee was suffering from itchy fingers. The guitar legend wanted a break from his old band but soon needed to get back into action. Alvin decided to stage a special concert at London’s Rainbow Theatre backed by an all-star cast of musicians. They included Mel Collins (sax), Ian Wallace (drums), Tim Hinkley (keyboards), Alan Spenner (bass) and Neil Hubbard (guitar). The show was recorded and ‘In Flight’, reissued on this remastered double CD set, captures that event and it is packed with high energy performances. Alvin Lee recalls that historic night in an exclusive interview for liner notes. Among the 20 original LP tracks tracks is ‘Going Through The Door’ (“My attempt at writing a George Harrison-Dylan-esque type meaningful song!” says Alvin). Another highlight is a fine treatment of the old Elvis Presley hit ‘Mystery Train’…
Bassist Ben Williams' 2011 solo debut, State of Art, is a thoughtful contemporary and post-bop-leaning album that finds the winner of the 2009 Thelonious Monk International Jazz Competition delving into several original tunes and successful pop covers. Williams is an adroit improviser with a fluid, muscular approach to the upright - as well as the electric - bass, and he showcases all of his skills here along with his ear for unexpected covers and lively originals. Tracks like the roiling, Latin-infused number "November," featuring guitarist Matthew Stevens, and the high-energy, frenetic "Mr. Dynamite" are ear-popping straight-ahead jazz moments, while the hip-hop jazz cut "The Lee Morgan Story," featuring MC/vocalist John Robinson, brings to mind such '90s innovators as Gang Starr and A Tribe Called Quest…
A characteristically humongous (8-CD) box set from the wonderful obsessive-compulsives at Bear Family, documenting the Killer's '60s tenure at Smash Records. Lewis made consistently good music during this period, but the combination of his personal scandals and the British Invasion made him a pariah to radio programmers until mid-decade, when he returned to his country roots. Highlights of the set include the entirety of a Texas live show, with Lewis and his crack band rendering various early rock standards at dangerously high (i.e., proto punk) speed, some excellent duets with his (then) wife Linda Gail, and gorgeous renditions of standards like Willie Nelson's "Funny How Time Slips Away" and Merle Haggard's "Lonesome Fugitive." Lewis fans with deep pockets should grab this one immediately…
The ten CDs are, so to speak, the antidote to our eroticly charged box '' Sex, Drugs And Alcohol '': Absolutely youthful, this new edition is full of romance, longing, love cries and the accompanying drama. The Rockn Roll era, which was otherwise so wild, has given us a lot of memorable love songs, which the young Elvis was so lucky enough to make on his first LP.
The holiday season typically brings an expected harvest of albums. But, every once in a while, a seasonal release seeks to surprise, delight and refresh our love for the music of snow and celebration in a new way.