Benjamin Alard Johann Sebastian Bach: The Complete Works For Keyboard, Vol. 9 "köthen,

Benjamin Alard - Johann Sebastian Bach: The Complete Works for Keyboard, Vol. 9 "Köthen, 1717-1723 - The Happy Years" (2024)

Benjamin Alard - Johann Sebastian Bach: The Complete Works for Keyboard, Vol. 9 "Köthen, 1717-1723 - The Happy Years" (2024)
WEB FLAC (tracks) - 736 Mb | MP3 CBR 320 kbps - 279 Mb | 02:00:38
Classical | Label: harmonia mundi

‘The happy years’: an expression that is particularly apt for J. S. Bach’s period in Cöthen. Freed from the obligations that held him back in Weimar and not yet caught up in the Leipzig treadmill, Prince Leopold’s protégé produced masterpieces of such flamboyance that Benjamin Alard could not resist the pleasure of inviting some of his dear musician friends to join him around the splendid three-manual harpsichord by Hass.
Benjamin Alard  - Johann Sebastian Bach: The Complete Works for Keyboard, Vol. 9 "Köthen, 1717-1723 (2024) [24/96]

Benjamin Alard - Johann Sebastian Bach: The Complete Works for Keyboard, Vol. 9 "Köthen, 1717-1723 (2024) [24/96]
FLAC (tracks) 24-bit/96 kHz | Front Cover | Time - 02:00:27 minutes | 2,41 GB
Classical | Studio Master, Official Digital Download

‘The happy years’: an expression that is particularly apt for J. S. Bach’s period in Cöthen. Freed from the obligations that held him back in Weimar and not yet caught up in the Leipzig treadmill, Prince Leopold’s protégé produced masterpieces of such flamboyance that Benjamin Alard could not resist the pleasure of inviting some of his dear musician friends to join him around the splendid three-manual harpsichord by Hass.
Benjamin Alard - J. S. Bach: The Complete Works for Keyboard, Vol. 8: Köthen, 1717-1723 - For Maria Barbara (2023) [24/96]

Benjamin Alard - J. S. Bach: The Complete Works for Keyboard, Vol. 8: Köthen, 1717-1723 - For Maria Barbara (2023) [24/96]
FLAC (tracks) 24-bit/96 kHz | Front Cover | Time - 03:23:32 minutes | 4,53 GB
Classical | Studio Master, Official Digital Download

Eagerly pursuing his exploration of Bach’s corpus for solo keyboard, Benjamin Alard focuses here on works associated with the composer’s first wife, Maria Barbara, and her untimely death in 1720.