William Youn's first orchestral album for Sony Classical in cooperation with Deutschlandradio Berlin is dedicated entirely to the exuberant flair of fin-de-siècle Paris with rare repertoire by Reynaldo Hahn, Nadia Boulanger and Gabriel Fauré - a musical excursion into the salons of the Belle Époque full of dazzling rediscoveries.
This CD contains selected themes from five of Chaplins brilliant films. The Kid (1921), The Gold Rush (1925), The Circus (1928), City Lights (1931) and Modern Times (1936). If you love the music from these films then you will love this album. Carl Davis has been very sensitive when rerecording the original scores. The music sounds amazing and he has remained true to Chaplins own styles and tempo's. The thing that will strike you more than anything is how amazing these scores really are in Stereo! They really do sound very good indeed. It also fully demonstrates just how good a composer Chaplin really was, and his talent for marrying music to film. As music it is beautiful from the harshness of "Gold Rush" to the haunting "Modern Times" and not forgetting the swinging "City Lights". Magical stuff! 5 out of 5, 10 out of 10 etc… But if you are planning on listening to this 80 minute album from beginning to end, you'd better make sure you have some Chaplin films close to hand because you WILL want to watch them all again. Nostalgia at its very best.
A very nice box set from Capriccio of Prokofiev’s complete incidental music, featuring some of his most well known musical scores. The Radio Symphony Orchestra Berlin play with fire and panache under the baton of conductor, Michail Jurowski.
Welcome to the World is the second and final Psycho Motel album, released in 1997. It features a different vocalist from the band's first album, 1995's State of Mind. In place of Hans Olav Solli is Andy Makin, whose "dark lyrics and distinctive vocal delivery" differentiate the album from its predecessor. It also features Scott Gorham of Thin Lizzy and Dave Murray of Iron Maiden as guest guitarists. In 2006, Welcome to the World was re-released with two bonus tracks. These tracks contain Solli from the first album on vocals, and were probably recorded just before he left the band in 1997.
State of Mind is the 1995 debut album from the British progressive rock band Psycho Motel, formed by Iron Maiden guitarist Adrian Smith. The album featured Hans-Olav Solli on vocals, formerly of Scott Gorham's 21 Guns. The album features a heavy guitar-driven sound. The album was released only in Japan in 1995 and re-released in Europe in 1996. The European release had only 10 tracks and different artwork, which featured a negative image of the Japanese version cover. The album was re-released again in 2006, with the European version of the artwork. The band was formed in 1995 by Iron Maiden guitarist Adrian Smith after he left Maiden in 1990. Smith briefly experimented with a project called ASAP (Adrian Smith and Project) before seemingly retiring from the music industry altogether in 1990. However, it was a chance meeting with Jamie Stewart, formerly bass guitarist with The Cult and Carl Dufresne that finally persuaded Smith back into the spotlight.
Psycho Praxis are a near perfect sound mélange of British heavy prog and Italian progressive rock. Hailing from Brescia the band's debut album "Echoes from the Deep" doesn't sound like a new band trying to cash in on retro-prog, rather, it sounds like an authentic lost album from the early 70s with quality thrills and chills. Imagine the slightly creepy and unpredictable edge of Van der Graaf Generator mixed with the whirling, feverish flutes of Osanna, and the keyboard textures of Metamorfosi. The band employ English vocals rather than Italian, but even the hardest core RPI fan will surely forgive them because the music is so good.
Johann Sebastian Bach and the Akademie für Alte Musik Berlin go back a long way together! This recording, made with the welcome participation of Isabelle Faust and Antoine Tamestit, follows the complete violin concertos (2019), which left a lasting impression. Returning regularly to the inexhaustible source of the Brandenburgs ever since a memorable first recording in the late 1990s, the Berlin musicians have achieved a sovereign mastery of what is not a single work, but six, which, under their fingers, are successive episodes of a piece of musical theatre in love with dance, transparent sound and freedom. An exhilarating experience!
The Rundfunk-Sinfonieorchester Berlin and conductor Carlo Montanaro present a powerful interpretation of Giacomo Puccini’s Tosca, together with a cast of soloists including Melody Moore (Tosca), Ștefan Pop (Cavaradossi) and Lester Lynch (Scarpia). Tosca has been an audience favourite from the onset. Premiered in 1900, it marks the beginning of twentieth- century opera, in which sex, violence and the uncanny abysses of the human psyche would be explored, inspiring composers to expand the musical means of expression in all thinkable ways.