Berlin 柏林护士 Berlin Psycho Nurses

For his first solo album, John Lydon decided to tentatively explore electronica without leaving behind the guitar growl that made the Sex Pistols' 1996 reunion a success. The guitars are woven into the electronic dance beats throughout Psycho's Path, which occasionally results in some exciting juxtapositions…

Eddie Noack - Psycho: The K-Ark & Allstar Recordings, 1962-1969 (2013) {Bear Family Records BCD 17204 AH}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 174 Mb | MP3 @320 -> 119 Mb
Full Artwork @ 300 dpi (png) -> 163 Mb | 5% repair rar
© 1962-69, 2013 Bear Family Records | BCD 17204 AH
Country / Honky Tonk / Traditional Country / Bakersfield Sound

Eddie Noack had a rough '50s, working hard and never scoring a hit, but that's nothing compared to his '60s. After he was dropped by Mercury, the singer wound up drifting to Allstar, a fly-by-night Nashville indie that specialized in "song poems" – suckers would send in lyrics and pro musicians would set them to music, for a fee – and found space for Noack, a songwriter who had success, but a singer who had none. At Allstar, he was usually able to record his own songs, but Noack wound up chasing trends instead of setting them. Specifically, he wound up cutting several singles in the style of Buck Owens & the Buckaroos, sides that may not have charted but illustrated Noack was a pro, capable of following shifting fashions and delivering upon them ably, even appealingly.

Psycho Circus is the 18th studio album by American rock band Kiss. The album features the original four members back together and in full make-up. Some pressings featured a lenticular cover that alternates between a black Kiss logo and the album title with pictures of a clown and the band members, while the Japan initial first pressing featured a pop-up cover which had three foam spring-loaded panels of a clown face and two others with band members faces that popped out when the doors were opened…

The Sonics - Psycho-Sonic (2003) {Big Beat–Ace Records CDWIKD115 rec 1964-1965}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 389 Mb | MP3 @320 -> 175 Mb
Full Artwork @ 300 dpi (png) -> 128 Mb | 5% repair rar
© 1964-65, 2003 Big Beat Records / Ace Records | CDWIKD 115
Rock / Garage Rock / Psychedelic / Frat Rock / Rock & Roll

Everyone would agree that the Sonics reached their peak on their 1964-65 recordings for Etiquette. This 29-track compilation has everything they recorded for the label, extended not just to everything from their singles and two albums, but also with an alternate take of "The Witch" and live recordings of "Psycho" and "The Witch." Consequently, it's the best Sonics release on the market, though you should be warned: it's not wall-to-wall greatness. After the first half-dozen or so songs, you might well be ready to buy into their legend as one of the great (and certainly rawest) '60s garage bands, as those tracks include their toughest elementary riff-fueled pounders: "The Witch," "Psycho," "Boss Hoss," "He's Waitin'," and "Strychnine."

State of Mind is the 1995 debut album from the British progressive rock band Psycho Motel, formed by Iron Maiden guitarist Adrian Smith. The album featured Hans-Olav Solli on vocals, formerly of Scott Gorham's 21 Guns. The album features a heavy guitar-driven sound. The album was released only in Japan in 1995 and re-released in Europe in 1996. The European release had only 10 tracks and different artwork, which featured a negative image of the Japanese version cover. The album was re-released again in 2006, with the European version of the artwork. The band was formed in 1995 by Iron Maiden guitarist Adrian Smith after he left Maiden in 1990. Smith briefly experimented with a project called ASAP (Adrian Smith and Project) before seemingly retiring from the music industry altogether in 1990. However, it was a chance meeting with Jamie Stewart, formerly bass guitarist with The Cult and Carl Dufresne that finally persuaded Smith back into the spotlight.

The great irony with this release is that it was perhaps the most innovative and interesting on the Shrapnel label, yet received little attention until years later. Yngwie Malmsteen's influence on young guitarists produced an endless supply of technically competent, but largely uninspired, effigies. Mark Varney signed the German guitarist/composer Bernd Steidl, who had been studying at the Guitar Institute of Technology (GIT) in California, after hearing a demo tape. Released without much press or fanfare, the recording was only mildly successful within the guitar-shred community. Perhaps the reason for this was that the core American audience, primarily young, heavy metal-influenced guitar students, were not ready for the level of sophistication presented in this acoustic format.

Varese's original soundtrack to Psycho finds Joel McNeely conducting the Royal Scottish National Orchestra through Bernard Herrmann's classic original score. This album is the first time the entire score has been recorded for an album and its remarkable how eerie and evocative the music is, even when its separated from the film. Psycho stands as one of Herrmann's finest moments, and even if many collectors and film buffs would prefer the original soundtrack recording, this version is essential for fans of the composer, since it is the clearest, cleanest edition of score yet produced.