Berlin Atonal: More Light (2020)

The First Lady of Song Returns to Berlin, Home of Her Legendary Concerts. Recorded in 1962 but never released, hear the most popular jazz singer of all time deliver an iconic performance at Sportpalast Berlin for the first time. This recording finds Ella and her band at the top of their game recorded in High Fidelity Stereo. With only two songs repeated from her hit record "Mack The Knife" two years earlier, this undiscovered recording stands on its own.

Daniel Avery returns with his third full-length album, Love + Light, a surprise release out now via Phantasy worldwide and Phantasy/Mute in the United States and Canada on all digital platforms, with ethereal artwork taken from an image by Avery’s tour photographer Keffer.

Peter Pearson is a composer of mainly instrumental music, with an emotionally driven style that crosses the genres of Easy Listening and Chillout with elements of Ambient, Lounge, Jazz, Blues, light Classical and Rock. Simplicity and emotion are his driving forces - if there is no passion, there is no music.

Since their inception, Let Spin have maintained an egalitarian musical ethos, giving each member the opportunity to write for the project and have equal say over its decision-making. Yet, with their third album, Steal The Light, it is the progress they have made in developing their respective compositional voices and musical outlooks independently that has resulted in their most accomplished, experimental and meticulously-produced album to date.
In experimenting with time and space, challenging their own compositional tendencies and striving for a more experimental production style, Let Spin have crafted a fluid yet focussed LP that reflects their maturity and ambition. Fans of the boundary-pushing projects led by Mark Guiliana, Petter Eldh, Anton Eger and Jim Black are certain to appreciate Steal the Light’s enticing sound world.

Pencarrow is a four-piece prog band from Wellington, New Zealand, combining diverse musical backgrounds and influences to create adventurous and thought provoking music. An exploration of love, loss, the sense of self, and the unfathomable fluctuation of time in complex human relationships. This cinematic musical journey is driven by progressive rock and embellished by orchestra, Javanese gamelan and multiple guest soloists.

The highly anticipated seventh album by U.S. Girls, the protean musical enterprise of multi-disciplinary artist Meg Remy, is entitled Heavy Light. While Remy has been widely acclaimed for a panoply of closely observed character studies, on Heavy Light she turns inward, recounting personal narratives to create a deeply introspective about-face. The songs are an inquest into the melancholy flavour of hindsight, both personal and cultural. Remy makes this notion formally explicit with the inclusion of three re-worked, previously released songs: Statehouse (It’s A Man’s World), Red Ford Radio, and Overtime.