Even though it's the official greatest-hits compilation of the Scorpions' '80s releases, The Best of Rockers 'n' Ballads is actually missing some of their best rockers and ballads. While it contains such hits as "Rock You Like a Hurricane," "Blackout," and "The Zoo," the 12 songs listed simply don't give the listener a good impression of what the Scorpions are all abou…
When the Scorpions finally broke through to the mainstream in 1982, RCA released numerous compilations of the band's earlier work from the '70s. By no means should one think The Best of the Scorpions is for diehards only – the music here is quite enjoyable…
When the Scorpions finally broke through to the mainstream in 1982, RCA released numerous compilations of the band's earlier work from the '70s…
When the Scorpions finally broke through to the mainstream in 1982, RCA released numerous compilations of the band's earlier work from the '70s. By no means should one think The Best of the Scorpions is for diehards only – the music here is quite enjoyable. RCA would go on to release several more Scorpions compilations (Best Of, Vol. 2, Hot & Heavy, Best of Rockers 'n' Ballads, etc.), but the original Best Of is still the wisest purchase.
When the Scorpions finally broke through to the mainstream in 1982, RCA released numerous compilations of the band's earlier work from the '70s. By no means should one think The Best of the Scorpions is for diehards only – the music here is quite enjoyable. RCA would go on to release several more Scorpions compilations (Best Of, Vol. 2, Hot & Heavy, Best of Rockers 'n' Ballads, etc.), but the original Best Of is still the wisest purchase.
Barrett Strong was there for the very early days of Berry Gordy's Motown empire, but his sound bears no resemblance to the later smooth soul stylings that dominated the label's output. He was a R&B rocker all the way. His most famous song is Gordy's first smash hit, "Money (That's What I Want)" from 1960 on the Anna label. The rest of the disc contains some solid R&B ballads like "Oh Yes I Apologize" and "Do the Very Best You Can" and Strong's strong suit, raw rockers like "You Knows What to Do," "Yes No Maybe So," and "Let's Rock." The collection's highlights are a couple of songs, the bitter and tough lament "Two Wrongs Don't Make a Right" and the haunting Steve Mancha-penned "Misery." From the sound of these two songs, Strong had what it took to be a full-fledged Soul Man. Sadly, however, his career behind the mic stalled quickly and apart from "Money (That's What I Want)," he has been forgotten.