Betthupferl in Oberbayern (1970)

T2 were a British progressive rock band, best known for their 1970 album, It'll All Work Out in Boomland. It is generally regarded as an excellent album. T2 evolved from an earlier band, Neon Pearl, which was led by their drummer, Pete Dunton. Dunton was by 1968 a member of Please, which also included fellow Neon Pearl member Bernard Jinks. When that band broke up in 1969, due to Dunton's joining Gun alongside Adrian Gurvitz, Jinks became a member of Bulldog Breed. T2 was formed when Dunton reunited with bassist Jinks, and late period Bulldog Breed guitarist, Keith Cross. The trio played a form of psychedelic or proto-prog rock, which was similar in content to that played by the earlier bands its members had been in.

After satisfying all of their classical music kinks with keyboard player Jon Lord's overblown Concerto for Group and Orchestra, Deep Purple's soon to be classic Mark II version made its proper debut and established the sonic blueprint that would immortalize this lineup of the band on 1970's awesome In Rock…

After satisfying all of their classical music kinks with keyboard player Jon Lord's overblown Concerto for Group and Orchestra, Deep Purple's soon to be classic Mark II version made its proper debut and established the sonic blueprint that would immortalize this lineup of the band on 1970's awesome In Rock…

This 1970 club date in a Munich club by Art Farmer wasn't released until 1998, but it is by no means a collection of outtakes; it was in the possession of the club owner as his own private treasure. The flügelhornist (though he is inexplicably credited playing trumpet on the CD) is joined by his pianist of choice while in Europe, Fritz Pauer, along with bassist Peter Marshall and drummer Erich Bachtragl. Both Farmer and Pauer deliver consistently outstanding solos throughout the set, and what's unusual is that all of the tracks are originals by the leader. "Concord" and "Concourse" are both up-tempo cookers, while Marshall's fine solo introduces the bluesy "Overnight." While the piano is slightly buried in the mix, this otherwise excellent recording is very much a worthwhile investment for fans of hard bop.

Live in Pittsburgh 1970 (2008) is the sixth (more or less) full-length live set from the Doors' own Bright Midnight Archives. It is also one of its shortest and arguably most dynamic entries – a single CD capturing the quartet of Jim Morrison (vocals/hand percussion), Ray Manzarek (keyboards/bass pedals/vocals), Robbie Krieger (guitars), and John Densmore (drums/percussion) at the Civic Arena in Pittsburgh, PA on May 2, 1970…

Several 1970 Doors concerts were officially recorded for use on the Absolutely Live album, including both of the shows they gave in Boston on April 10 of that year. This three-CD set has the early and late sets from Boston in their entirety, adding up to about three hours of music, all but two of the tracks previously unreleased…

This platter captures the 1970 incarnation of Canned Heat with Bob "The Bear" Hite (vocals), Alan "Blind Owl" Wilson (guitar/vocals/harmonica), Larry "The Mole" Taylor (bass), Aldolfo "Fito" de la Parra (drums), and newest addition Harvey Mandel (guitar), who had replaced Henry "Sunflower" Vestine (guitar) in 1969. They headed across the Atlantic in the spring of 1970 on the heels of "Let's Work Together" – a Wilbert Harrison cover that charted within the Top Five in Europe. That outing yielded the combo's first concert disc, Live in Europe (1971) – which had been issued almost a year earlier in the U.K. as Canned Heat Concert (Recorded Live in Europe) (1970).