Between Two Worlds Binoche

If John Ford is the greatest Western director, The Searchers is arguably his greatest film, at once a grand outdoor spectacle like such Ford classics as She Wore a Yellow Ribbon (1949) and Rio Grande (1950) and a film about one man's troubling moral codes, a big-screen adventure of the 1950s that anticipated the complex themes and characters that would dominate the 1970s. John Wayne plays Ethan Edwards, a former Confederate soldier who returns to his brother Aaron's frontier cabin three years after the end of the Civil War. Ethan still has his rebel uniform and weapons, a large stash of Yankee gold, and no explanations as to where he's been since Lee's surrender. A loner not comfortable in the bosom of his family, Ethan also harbors a bitter hatred of Indians (though he knows their lore and language well) and trusts no one but himself. Ethan and Martin Pawley (Jeffrey Hunter), Aaron's adopted son, join a makeshift band of Texas Rangers fending off an assault by renegade Comanches.

Young Leo Lauzon is torn between two worlds - the squalid Montreal tenement that he inhabits with his severely dysfunctional (and largely insane) family, and the imaginative world that he constructs for himself through his writings, where he's Leolo Lozone, son of a Sicilian peasant (conceived in a bizarre act involving a tomato). And his experiences of growing up (especially his sexual development) affect his response to both these worlds…

Young Leo Lauzon is torn between two worlds - the squalid Montreal tenement that he inhabits with his severely dysfunctional (and largely insane) family, and the imaginative world that he constructs for himself through his writings, where he's Leolo Lozone, son of a Sicilian peasant (conceived in a bizarre act involving a tomato). And his experiences of growing up (especially his sexual development) affect his response to both these worlds…