Beyond Desire (1995) Dominique Othenin Girard, William Forsythe, Kari Wuhrer, Leo Rossi

Kari Wührer - Shiny (1999) {Del-Fi} **[RE-UP]**  Music

Posted by TestTickles at June 11, 2021
Kari Wührer - Shiny (1999) {Del-Fi} **[RE-UP]**

Kari Wührer - Shiny (1999) {Del-Fi}
MP3 CBR 320kbps | RAR | 83 mb
Genre: rock, pop

Shiny is the debut album by TV show host and actress Kari Wührer. It is her only album, released by Del-Fi Records, that was successful as an artist but only had minimum exposure.

Joëlle Léandre/William Parker - Contrabasse (1998) {Leo} **[RE-UP]**  Music

Posted by TestTickles at March 10, 2021
Joëlle Léandre/William Parker - Contrabasse (1998) {Leo} **[RE-UP]**

Joëlle Léandre/William Parker - Contrabasse (1998) {Leo}
MP3 CBR 320kbps | RAR | 123 mb
Genre: free jazz, free improvisation, experimental, avant-garde

Contrabasse is a 1998 collaboration album between Joëlle Léandre and William Parker. It's not quite jazz and not quite classical but it is something else. UK label Leo Records made this.

William Forsythe and the Practice of Choreography  eBooks & eLearning

Posted by ksveta6 at April 17, 2017
William Forsythe and the Practice of Choreography

William Forsythe and the Practice of Choreography by Spier Stephen (EDT)
2011 | ISBN: 0415978238, 041597822X | English | 160 pages | PDF | 6 MB
From Phenomenology to Thought, Errancy, and Desire: Essays in Honor of William J. Richardson, S.J.

From Phenomenology to Thought, Errancy, and Desire: Essays in Honor of William J. Richardson, S.J. By Graeme Nicholson (auth.), Babette E. Babich (eds.)
1995 | 640 Pages | ISBN: 9048145767 | PDF | 16 MB
Oregon - Beyond Words (1995) [Reissue 2003] MCH SACD ISO + DSD64 + Hi-Res FLAC

Oregon - Beyond Words (1995) [Reissue 2003]
SACD Rip | SACD ISO | DST64 2.0 & 5.0 > 1-bit/2.8224 MHz | 71:46 minutes | Full Scans included | 4,1 GB
or DSD64 2.0 Stereo (from SACD-ISO to Tracks.dsf) > 1-bit/2.8224 MHz | Full Scans included | 2,02 GB
or FLAC Stereo (carefully converted & encoded to tracks) 24bit/44,1 kHz | Scans included | 712 MB
Features Stereo and Quadrophonic Surround Sound | Chesky Records # SACD 252

Oregon emerged in 1970 as a splinter band from the Paul Winter Consort. Its members each had experience in jazz, classical, and a variety of non-western musical styles, and were also multi-instrumentalists.

Men Beyond Desire: Manhood, Sex, and Violation in American Literature by D. Greven  eBooks & eLearning

Posted by step778 at Nov. 16, 2021
Men Beyond Desire: Manhood, Sex, and Violation in American Literature by D. Greven

D. Greven, "Men Beyond Desire: Manhood, Sex, and Violation in American Literature by D. Greven"
English | 2005 | pages: 301 | ASIN: B01K0TCPL2 | PDF | 1,2 mb
William Christie, Les Arts Florissants - Luigi Rossi: Orfeo (1991)

William Christie, Les Arts Florissants - Luigi Rossi: Orfeo (1991)
EAC | FLAC | Image (Cue & Log) ~ 948 Mb | Total time: 77:32+71:03+70:47 | Scans included
Classical | Label: Harmonia Mundi | # HMC901358.60 | Recorded: 1990

Luigi Rossi (ca. 1597 – 20 February 1653) was an Italian Baroque composer. Rossi was born in Torremaggiore, a small town near Foggia, in the ancient kingdom of Naples and at an early age he went to Naples. There he studied music with the Franco-Flemish composer Jean de Macque who was organist of the Santa Casa dell’Annunziata and maestro di cappella to the Spanish viceroy. Rossi later entered the service of the Caetani, dukes of Traetta. Luigi Rossi composed just two operas: Il palazzo incantato, which was given at Rome in 1642; and Orfeo, written after he was invited by Cardinal Mazarin in 1646 to go to Paris for that purpose, and given its premiere there in 1647. Rossi returned to France in 1648 hoping to write another opera, but no production was possible because the court had sought refuge outside Paris. Rossi returned to Rome by 1650 and never attempted anything more for the stage.

Leo Kottke - Live (1995)  Music

Posted by tirexiss at June 21, 2021
Leo Kottke - Live (1995)

Leo Kottke - Live (1995)
WEB | FLAC (tracks) - 363 MB | MP3 (CBR 320 kbps) - 135 MB | 53:08
Genre: Folk, Acoustic, Guitar, Folk Rock | Label: Private Music

Leo Kotke's 1995 release, Leo Live, is a welcome addition to his repertoire. Kotke has gotten past his earlier reluctance to perform vocals, and his voice here sounds comfortable and assured on tracks like "Room at the Top of the Stairs" and the talking blues "Jack Gets Up." Yet, as is characteristic of his style, it's his instrumental work on cuts like "Peg Leg," "Little Martha," and a mellow version of the old classic "Twilight Time" that show the artist in peak form. Kotke's mildly "Oddball" proclivities may come through in song titles like "I Yell at Traffic" and "Flattened Brain," yet whatever he names it, his playing is consistently top of the mark. Definitely recommended.
Giuseppe Patanè, Orchestra del Teatro Comunale di Bologna - Gioacchino Rossini: Il Barbiere di Siviglia (1989)

Giuseppe Patanè, Orchestra del Teatro Comunale di Bologna - Gioacchino Rossini: Il Barbiere di Siviglia (1989)
EAC | FLAC | Image (Cue & Log) ~ 624 Mb | Total time: 160:39 | Covers included
Classical | Label: Decca | # 425 5202 9 | Recorded: 1988

Cecilia Bartoli made this recording when she was still in her early 20s, a mezzo with a rich, vibrant voice who not only copes brilliantly with the technical demands but who also gives a winningly provocative characterization. Like the conductor, Bartoli is wonderful at bringing out the fun.
William Christie, Les Arts Florissants - Handel: Concerti Grossi Op.6 (1995)

William Christie, Les Arts Florissants - Handel: Concerti Grossi Op.6 (1995)
EAC | FLAC | Image (Cue & Log) ~ 332 Mb | Total time: 67:54 | Scans included
Classical | Label: Harmonia Mundi | # HMC 901507 | Recorded: 1994

Released in 1995, this Harmonia Mundi CD of five of Handel's Concerti grossi, Op. 6, is an absolute bargain and highly recommended to any lover of great music. Considering William Christie and Les Arts Florissants are among the most brilliant interpreters of Handel, that these gorgeous works afforded them an ideal platform for their talents, and that Harmonia Mundi provided the best possible engineering to capture their glorious sound, this album is an embarrassment of riches not to be missed. One regrets, however, that there are just 5 of the 12 concerti; since Christie recorded only Nos. 1, 2, 6, 7, and 10 for Harmonia Mundi before switching to Erato, there is no follow-up disc for the rest of Op. 6.