This album is a tribute to Armenia and to the Armenian musicians who have played alongside Jordi Savall and his wife Montserrat Figueras over the past several years. The repertoire, culled from Hesperion XXI's fascinating live programs, ranges from lively to contemplative. All of the unique and powerful music on Armenian Spirit is beautifully played using traditional instruments including the duduk, an ancient double-reed instrument with a deeply moving sound quality. Jordi Savall illuminates this music with a faultless musical flair, driven by his endless curiosity and supreme musicianship. The disc is accompanied by a lavishly documented and richly illustrated booklet.
A brilliant and radiant performance of Lehar's valedictory composition, his only operetta written for the august Vienna State Opera, which premiered the piece in 1934. Edith Moser and Nicolai Gedda head up a good cast in this work, which is more serious and profound than most of Lehar's music. The music is as attractive as in any Lehar work, but at times more self-consciously dramatic than in any piece except The Land of Smiles, despite the relatively straightforward subject, about the unhappy romance between the married title character and the officer she has run away with.
A brilliant and radiant performance of Lehar's valedictory composition, his only operetta written for the august Vienna State Opera, which premiered the piece in 1934. Edith Moser and Nicolai Gedda head up a good cast in this work, which is more serious and profound than most of Lehar's music. The music is as attractive as in any Lehar work, but at times more self-consciously dramatic than in any piece except The Land of Smiles, despite the relatively straightforward subject, about the unhappy romance between the married title character and the officer she has run away with.
The generation of musicians after Guillaume Dufay began around 1450 to experiment with new compositional techniques that led to a very progressive and independent repertoire of secular songs. The ensemble 'La Morra', Basel, presents an anthology of this highly refined art of instrumental and vocal music-making in the freshness and immediacity of a 'garden of pleasure'.