Royal Southern Brotherhood is an American blues and blues rock supergroup, consisting of singer and percussionist Cyril Neville, vocalist and guitarist Devon Allman, vocalist and guitarist Mike Zito, drummer Yonrico Scott, and bassist Charlie Wooton. New blood. New beginnings. For Royal Southern Brotherhood, Don’t Look Back isn’t just an album title, but the attitude that drove the award-winning US band’s third release. Tracked at the iconic Fame Studios in Muscle Shoals, Alabama, with an all-guns-blazing new guitar lineup and production team, this is the sound of a band rolling with the punches and turning the page.
No matter where Big Daddy Wilson travels on this big, beautiful, mixed-up planet of ours, he takes the South with him. Listening to the soulful storytelling of the man born Wilson Blount in a small town in the Inner Banks region of North Carolina, it's impossible not to conjure images of dusty back roads, cypress groves, a Saturday night juke joint or Sunday morning revival meeting. It's a nostalgic and – some might say – glorified image of rural America. Yet in an age of ruthless demagogues and divisive politics, Big Daddy Wilson chooses to celebrate the simple things that bond us as human beings – a smile, a shared meal, a helping hand – along with cherished values like faith, perseverance and devotion to family. For more than two decades, he has been carrying his message of hope and unity to each and every show, whether in New York, Paris, Auckland or – in the case of his new live album Songs From The Road – the village of Rubigen in central Switzerland.
Time to roll up the carpet and put on your dancing shoes – 28 killer-diller Louisiana tracks. The eleventh CD in the “By The Bayou” contains some real skirt-swirlers, with a couple of slower numbers slipped in to break up the tempo. In keeping with the other “Boppin’” discs in this series, we have included some pure rockabilly and Cajun tracks alongside the swamp rockers.
Elvis Presley may be the single most important figure in American 20th century popular music. Not necessarily the best, and certainly not the most consistent. But no one could argue with the fact that he was the musician most responsible for popularizing rock & roll on an international level…
A remarkable 1964 session produced by Horst Lippmann behind the Iron Curtain in East Germany that found Sumlin trying for the first time on record to sing. He played both electric and acoustic axe on the historic date, sharing the singing with more experienced hands Willie Dixon and Sunnyland Slim (Clifton James is on drums). All three Chicago legends acquit themselves well.